A.I. Artificial Intelligence (2001)

Movie · 2001 · Drama, Science Fiction, Adventure · 2h 26m · PG-13 · English

Curator score: 5.5/10 (633.6K ratings)

David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not.

Overview

David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

Ratings

Director

Steven Spielberg, Stanley Kubrick

Production

Warner Bros. Pictures, DreamWorks Pictures, Amblin Entertainment, Stanley Kubrick Productions

Cast

Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, Jake Thomas, William Hurt, Jack Angel, Robin Williams, Ben Kingsley, Meryl Streep, Chris Rock, Ken Leung, Clark Gregg, Kevin Sussman, Tom Gallop, Eugene Osment, April Grace, Matt Winston, Sabrina Grdevich, Theo Greenly

Where to watch

Hulu, TCM

Curator Review

Verdict

A.I. Artificial Intelligence is a haunting, ambitious sci-fi fable about love, abandonment, and the cost of wanting to be real. Its tonal shifts can be jarring, but the film’s emotional force, visual imagination, and eerie melancholy make it one of the most distinctive studio sci-fi dramas of its era.

Best for

  • viewers who like emotionally devastating science fiction
  • fans of philosophical, high-concept films with fairy-tale logic
  • people interested in artificial consciousness and identity
  • audiences who appreciate big, formal, visually expressive filmmaking

Skip if

  • you want a straightforward robot adventure
  • you dislike abrupt tonal changes
  • you prefer cool, detached sci-fi over sentimental tragedy
  • you are looking for a light or purely optimistic future story

Overview

A.I. Artificial Intelligence is a strange, sorrowful machine of a movie: part fairy tale, part science-fiction parable, part elegy for human need. It begins with a deceptively simple premise and keeps widening into something more unsettling, asking what love means when it is programmed, performed, or withheld.

Worth noting

What makes it linger is the collision of tenderness and dread. The film can feel overdetermined in places, but that excess is also part of its power: the glossy surfaces, the uncanny children, the ruined future, the impossible hope of being chosen. Haley Joel Osment gives the movie its aching center, and Jude Law adds a sly, bruised humanity that keeps the film from becoming purely abstract.

Bottom line

It is not an easy film to settle into, and that is exactly why it stays with people. The ending is divisive, but the emotional logic of the whole work is unusually bold: a story about artificial life that ends up feeling painfully, recognizably human.

Top Letterboxd reviews

mia lee vicino (3.5★) · 4907 likes

obsessed with the fact that kubrick primarily wrote the 1st & 3rd act’s sentimental parent/son relationship while spielberg added the 2nd act’s jude law sex robot storyline and not the other way around. just goes to show ya — don’t judge a director by their past filmography’s central themes!

James (Schaffrillas) (4.5★) · 4373 likes

I promise you will never in a million years guess where the plot of this movie goes

Jonathan Rosenbaum (5★) · 3241 likes

Only Kubrick and Spielberg, working together on different time planes, could create such a philosophical and intellectual heartbreaker.

demi adejuyigbe (5★) · 2514 likes

jesus fucking christ. i had gone my entire life never having seen A.I. and only vaguely grasping what the movie even was, but i went into it functionally blind and… did not know what i was getting into. what a devastating fucking movie. a film that posits love as a life-giving and life-destroying force, the spark in an endless cycle of destructive, wholly-encompassing grief, and the finger that can eventually snuff it out. as soon as we meet David, there’s… more

davidehrlich (5★) · 2451 likes

I was already 16 years old when “A.I.” hit theaters on the last weekend of June 2001, but Steven Spielberg’s unnerving techno-fable has always felt like the last film that I ever saw as a child. To a certain extent, of course, everything that happened before the end of that summer would soon be recast in a soft new light. Spielberg had imagined the World Trade Center would serve as a lasting memorial for our entire species more than 2,000… more

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Topics

science fiction, philosophical, melancholy, dystopian future, artificial consciousness, family drama, sentimental, uncanny, existential, visually ambitious

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