A Night at the Opera (1935)

Movie · 1935 · Comedy, Music · 1h 31m · NR · English

Curator score: 8.1/10 (33K ratings)

Don't miss it! The funniest picture ever made!

Overview

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Ratings

Director

Sam Wood

Production

Metro-Goldwyn-Mayer

Cast

Groucho Marx, Chico Marx, Harpo Marx, Kitty Carlisle, Allan Jones, Sig Ruman, Walter Woolf King, Robert Emmett O'Connor, Margaret Dumont, Edward Keane, Evelyn Selbie, Purnell Pratt, Jonathan Hale, Otto Fries, Gino Corrado, Bess Flowers, Chuck Hamilton, Frank McLure, William H. O'Brien, George Irving

Curator Review

Verdict

A fast, polished Marx Brothers showcase that pairs anarchic comic invention with a more streamlined studio-era structure. The opera setting gives the gags a classy target, and the film builds to one of the great comic finales of the 1930s.

Best for

  • classic comedy fans
  • viewers who like rapid-fire verbal and physical gags
  • fans of pre-Code and early studio-era Hollywood
  • people curious about the Marx Brothers at their most polished
  • audiences who enjoy satire of high society and pretension

Skip if

  • you need a plot-driven comedy with emotional depth
  • you dislike old Hollywood pacing or vaudeville-style humor
  • you prefer subtle, character-based comedy
  • opera or musical performance scenes are a turnoff

Overview

A Night at the Opera is the Marx Brothers at their most refined without losing the essential chaos. The film trims some of the rougher edges of their earlier work, but it compensates with cleaner construction, sharper set pieces, and a wonderfully escalating sense of absurdity. The jokes are still gloriously unruly; they just arrive in a more elegant package.

Worth noting

What makes it endure is the contrast between the brothers’ gleeful sabotage and the pomp of the opera world around them. The movie knows exactly how silly prestige can look when it is punctured by pure comic instinct. Even when the romantic subplot slows things down, the film keeps finding new ways to turn social decorum into a punchline.

Bottom line

The finale is the payoff everyone remembers, but the pleasure is in the accumulation: the verbal sparring, the musical interruptions, the physical business, and the way the brothers keep exposing the vanity of everyone who takes themselves too seriously. It is a classic for a reason, and one of the best entry points to the Marx Brothers.

Top Letterboxd reviews

Timcop (4.5★) · 679 likes

"Did you order a manicure?" "No. Come on in."

Will Sloan (5★) · 423 likes

These guys are out of control.

Matt J. (4★) · 298 likes

I think there was some kind of story in here somewhere, but I was too busy being entertained by the antics of the brothers to notice or care. As with all their films, a plot is just an excuse to string together the jokes that make up their schtick; and what a wonderful schtick it is.

demi adejuyigbe · 278 likes

harpo sun, groucho moon, groucho rising

Jordan Beaumont Anderson (5★) · 201 likes

Groucho - Level 20 Wrathful OpportunistResistant To: Questions, ScruplesWeak Against: Women's Legs, Close Examination Chico - Level 20 Greedy MoronResistant To: Social Cues, Understanding StuffWeak Against: Reading, Hats Harpo - Level ? Hungry AlienResistant To: Polite Society, Object PermanenceWeak Against: Public Speaking, Bedtime

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Topics

classic comedy, screwball energy, vaudeville, satire, 1930s Hollywood, physical comedy, verbal wit, ensemble chaos, studio-era

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