Alfie (1966)

Movie · 1966 · Comedy, Drama, Romance · 1h 54m · PG · English

Curator score: 7.0/10 (17K ratings)

Is any man an Alfie? Ask any girl!

Overview

A young man leads a promiscuous lifestyle until several life reversals make him rethink his purposes and goals in life.

Ratings

Director

Lewis Gilbert

Production

Paramount Pictures, Lewis Gilbert Productions

Cast

Michael Caine, Shelley Winters, Millicent Martin, Julia Foster, Jane Asher, Shirley Anne Field, Vivien Merchant, Eleanor Bron, Denholm Elliott, Alfie Bass, Graham Stark, Murray Melvin, Sydney Tafler, Tony Selby, Bryan Marshall, John Cater, Pauline Boty, Harry Locke, Queenie Watts, Cardew Robinson

Curator Review

Verdict

A sharp, charismatic 1960s antihero comedy-drama that still lands because Michael Caine makes the title character both magnetic and deeply aggravating. It’s funny, stylish, and increasingly uneasy as the consequences of his behavior catch up with him.

Best for

  • Viewers who like flawed antiheroes and character studies
  • Fans of Swinging Sixties British cinema
  • People interested in gender politics and period social satire
  • Anyone drawn to star-making performances

Skip if

  • You want a likable protagonist
  • You’re looking for a modern, progressive romance
  • You dislike misogynistic or emotionally abrasive lead characters
  • You prefer plot-heavy films over conversational character pieces

Overview

Alfie is one of the defining British antihero films of the 1960s, built around Michael Caine’s effortless charm and a script that keeps exposing the emptiness beneath it. The movie is often funny, but the comedy is inseparable from the discomfort: Alfie’s casual cruelty, self-justifying monologues, and emotional evasions are the point, not the garnish.

Worth noting

What gives the film staying power is how alive Caine is in the role. He makes Alfie seductive without ever making him admirable, which is exactly why the film works as both entertainment and critique. The episodic structure suits the character, letting each relationship and reversal reveal another layer of vanity, loneliness, or denial.

Bottom line

It’s very much a product of its era, and some viewers will find its treatment of women hard to sit with. But as a time capsule of changing sexual mores, male self-mythology, and the uneasy edge of British New Wave cool, it remains a smart, watchable, and culturally revealing film.

Top Letterboxd reviews

Vivian (4★) · 297 likes

haha stop ittt michael caine you are SO funny! *twirls hair* you are SO tall too, how tall are you? wow 6'2 that's sooooo crazy omg that's a whole foot over me wow I feel so little next to you ☺️ your hands must be huge wow they're soooo much bigger than mine look! haha! 😊

Monstrous_mother (3.5★) · 183 likes

Fleabag for misogynists

Mark Cunliffe 🇵🇸 (5★) · 170 likes

If viewed on a cursory, surface level, it would be very easy to hate Alfie, both the film and the eponymous cockney casanova, but for two things. The first is undeniably Michael Caine's stunning central performance. It's important to remind ourselves that this was only his third major film, but he attacks it like a veteran leading man. It remains one of his defining character studies, alongside Harry Palmer and Jack Carter. In Caine's assured hands this seemingly emotional vacuum… more

Rizki (4★) · 88 likes

Alfie is a film whose antihero is a jerk from beginning to end. The titular character’s goal: to get as many “birds” as he can — and you quickly realize he’s no ornithologist. Some would say he belongs to a dying breed of men: the old-fashioned womanizer. But Alfie gives a bad name to machos themselves; he couldn’t exist in our time, or he’d end up professionally terminated. Alfie knows how to play the wolf in sheep’s clothing — he’s… more Alfie is a film whose antihero is a jerk from beginning to end. The titular character’s goal: to get as many “birds” as he can — and you quickly realize he’s no ornithologist. Some would say he belongs to a dying breed of men: the old-fashioned womanizer. But Alfie gives a bad name to machos themselves; he couldn’t exist in our time, or he’d end up professionally terminated. Alfie knows how to play the wolf in sheep’s clothing — he’s… more

Sally Jane Black · 80 likes

While I suppose it's a step up from the typical celebration of the callous man-child, it feels hard to celebrate acquisition of basic human decency, especially at the cost depicted. (The cost being, of course, the continual degradation of women--turnaround not withstanding--and not the dramatic loss of life, which though affecting, is playing on a certain traditional viewpoint rather than allowing humanity to come through more radical but reasonable means--i.e., that the pseudo-sociopath might see humans in those he wants… more While I suppose it's a step up from the typical celebration of the callous man-child, it feels hard to celebrate acquisition of basic human decency, especially at the cost depicted. (The cost being, of course, the continual degradation of women--turnaround not withstanding--and not the dramatic loss of life, which though affecting, is playing on a certain traditional viewpoint rather than allowing humanity to come through more radical but reasonable means--i.e., that the pseudo-sociopath might see humans in those he wants… more

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Topics

British New Wave, 1960s, antihero, sex comedy, drama, social satire, character study, misogyny, Swinging London, coming-of-age

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