Avanti! (1972)

Movie · 1972 · Comedy, Romance · 2h 18m · R · English

Curator score: 5.6/10 (23.5K ratings)

When someone knocks on your door and says permesso?... be careful before you say Avanti!

Overview

A successful businessman travels to Italy to arrange for the return of his tycoon father's body, only to learn that dear old dad died with his longtime mistress.

Ratings

Director

Billy Wilder

Production

The Mirisch Company, United Artists, Jalem Productions, Phalanx Productions, PEA

Cast

Jack Lemmon, Juliet Mills, Clive Revill, Edward Andrews, Gianfranco Barra, Franco Angrisano, Pippo Franco, Franco Acampora, Giselda Castrini, Raffaele Mottola, Lino Coletta, Harry Ray, Guidarino Guidi, Giacomo Rizzo, Antonino Faà di Bruno, Yanti Somer, Janet Ågren, María Rosa Sclauzero, Melù Valente, Aldo Rendine

Where to watch

fuboTV, MGM Plus, Philo

Curator Review

Verdict

A warm, offbeat late-period Billy Wilder comedy that blends romance, grief, and culture-clash wit with unusual tenderness. Its leisurely pace and adult, bittersweet tone won’t suit everyone, but the chemistry, location work, and dry comic intelligence make it rewarding.

Best for

  • Billy Wilder fans
  • viewers who like romantic comedies with melancholy undercurrents
  • fans of Jack Lemmon's exasperated everyman persona
  • people who enjoy European travel comedies and culture-clash humor
  • audiences open to slower, talky character comedy

Skip if

  • you want a fast, joke-dense farce
  • you dislike older comedies with some body-shaming and dated gender attitudes
  • you prefer romance without grief or family baggage
  • you need high-energy plotting or big set pieces

Overview

Avanti! is one of Billy Wilder’s gentlest films, but it still has his bite. What begins as a business trip to recover a body turns into a wry meditation on inheritance, desire, and the absurd rules people build around love and respectability. Wilder lets the comedy breathe, and the result is less manic than his classics, more sunlit and rueful.

Worth noting

Jack Lemmon is perfectly cast as a harried American who keeps colliding with Italian rhythms, while Juliet Mills gives the film its emotional and sensual center. The movie’s pleasures are in the details: the bureaucratic absurdity, the seaside atmosphere, the long conversations that slowly reveal how much everyone is hiding from themselves.

Bottom line

It’s not a broad crowd-pleaser, and some of the humor lands as very of its era. But if you like romantic comedies that feel lived-in, slightly mournful, and unexpectedly tender, this is a lovely one to discover.

Top Letterboxd reviews

Timcop (4.5★) · 388 likes

She's really not fat at all.

Mike D'Angelo (5★) · 218 likes

97/100 And then sometimes you just fall in love with a movie. Happened to me here during the morgue sequence, which is both surpassingly lovely—even the coroner's precise routine involving the paperwork somehow transcends its ostensible purpose as comic relief, taking on a melancholy dignity—and grotesquely acrid, culminating in one of the only lines of dialogue I can think of that provoked an audible gasp from me: "Ask fatass if she wants a ride." (I could write an entire lengthy… more

Rafael "Mister Movie" Jovine (3★) · 147 likes

Action! - Three Auteurs: The Witty and Eclectic Mr. Wilder With the help of the always magnetic Lemmon and a script that can't help but win you over, Billy Wilder brings his brand of romantic comedy to Italy. The director shoot the picture in color while using soft, glossy lighting and camerawork to create the feeling of being in a romantic dream. The onscreen connection between Jack and Juliet is obvious almost immediately upon their introduction and is a major… more

theriverjordan (4.5★) · 137 likes

Grumpy old men and Americans experiencing European culture shock. Billy Wilder is in the peak of his late career elements with “Avanti!”. And this time - the legendary screenwriter gets to write himself a happy ending of sorts. That is; it’s the 70s, and he at last gets to put some proper tits and bums in a motion picture. And no, Jack Lemmon does not escape Italy without first bearing his own beachfront full moon. “Avanti!,” releasing around a decade… more

Dave Edwards (3★) · 122 likes

Biggest surprises in the history of cinema: 1. “My sister, my daughter” — Chinatown (1974)2. The fate of Marion Crane — Psycho (1960)3. “What’s in the box?!?!” — Se7en (1995)4. “No, I am your father” — Empire Strikes Back (1980)5. Seeing Jack Lemon’s lily-white dad ass*, not once but twice — Avanti (1972) *the only way I could have been more surprised is if it had been Walter Matthau’s hindquarters

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Topics

romantic comedy, culture clash, bittersweet, European setting, 1970s cinema, adult humor, grief, travel film, character-driven, melancholic

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