Barfly (1987)

Movie · 1987 · Comedy, Drama, Romance · 1h 40m · R · English

Curator score: 6.1/10 (18K ratings)

Some people never go crazy. What truly horrible lives they must lead.

Overview

Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.

Ratings

Director

Barbet Schroeder

Production

Golan-Globus Productions, The Cannon Group, American Zoetrope

Cast

Mickey Rourke, Faye Dunaway, Alice Krige, Jack Nance, J.C. Quinn, Frank Stallone Jr., Sandy Martin, Roberta Bassin, Gloria LeRoy, Joe Unger, Harry Cohn, Pruitt Taylor Vince, Joe Rice, Julie 'Sunny' Pearson, Donald L. Norden, Wil Albert, Hal Shafer, Zeke Manners, Pearl Shear, Rik Colitti

Curator Review

Verdict

A scruffy, funny, and surprisingly tender portrait of self-destruction, Barfly turns barroom drift into a character study with real bite. Mickey Rourke and Faye Dunaway give it a bruised, lived-in chemistry that keeps the film from feeling merely boozy or literary.

Best for

  • fans of antiheroes and down-and-out character studies
  • viewers who like dark comedy with romance
  • people interested in Bukowski-adjacent grit and Los Angeles underbelly stories
  • audiences drawn to strong lead performances and mood-driven filmmaking

Skip if

  • you want a conventional plot or clear redemption arc
  • you dislike alcohol-centered stories or bleak behavior
  • you prefer polished, upbeat romance
  • you need fast pacing and high narrative momentum

Overview

Barfly is less a plot than a hangover with a pulse. It follows Henry Chinaski and Wanda through bars, cheap rooms, and the small rituals of surviving one more night, but the film’s real subject is the strange dignity people invent when they’ve run out of better options. It can be crude, funny, and self-mythologizing, yet it never loses sight of the damage underneath the swagger.

Worth noting

Mickey Rourke plays Henry as a soft-spoken bruiser with a comic timing that keeps the character from collapsing into pure pose. Faye Dunaway is the film’s emotional engine, bringing volatility, need, and exhaustion to Wanda without sanding off her edges. Their chemistry gives the movie its pulse: not romantic idealization, but two damaged people recognizing themselves in each other.

Bottom line

Barbet Schroeder shoots the margins with an eye for texture rather than pity, and Robby Müller’s cinematography makes the decay look oddly alive. The result is a film that feels both ragged and controlled, a barroom screwball comedy with a hangover and a conscience. It’s not for everyone, but for the right viewer it’s a sharp, melancholy pleasure.

Top Letterboxd reviews

Patrick Pryor (5★) · 229 likes

Things I noticed after peeping this gem on the big screen: The ink stain on Hank Chinaski's shirt pocket. The way, well, BARFLIES wince and scuttle from daylight like cockroaches in a crumby linen closet. The sunglasses and slicked back hair of a paramedic who doesn't give a fuck. Wanda's look of despair when she realizes her cooked drunk-stolen corn is green and not worth chowing. My surprise seeing Robby Muller listed as cinematographer. Still, Barfly contains one of the… more

CinemaVoid 🏴‍☠️ (2.5★) · 185 likes

Mickey Rourke, the Brando who wanted but couldn't.

Mike D'Angelo (4.5★) · 137 likes

84/100 [originally written on my blog] Foolishly dismissed this at the time as an overly romanticized self-portrait, and then somehow managed to further misremember it as grim and serious, so imagine my surprise to find that it's actually the flophouse version of a screwball comedy. Rourke's Chinaski may only vaguely resemble Bukowski, but it's a gloriously daffy performance (albeit inadvertently poignant now in the way its foreshadows his own dissolution); he adapts his soft-spoken sleepy boy shtick into an air… more

Steve Moyle (4★) · 110 likes

“Some people never go crazy. What truly horrible lives they must lead.” "It's hatred. It's the only thing that lasts." "Anybody can be a non-drunk. It takes a special talent to be a drunk. It takes endurance. Endurance is more important than truth." Based on poet/novelist Charles Bukowski - Barbet Schroeder's Barfly is brilliantly written and has two impressive performances from Mickey Rourke (Henry) and Faye Dunaway (Wanda) as two believable alcoholics who are always interesting throughout. Robby Muller's cinematography… more

Kylo (3.5★) · 100 likes

“When I drink, I move in the wrong direction” — Faye Dunaway giving Gena Rowlands vibes in A Woman Under the Influence. “Somebody laid down this rule that everybody’s gotta do something, they gotta be something” — Henry seemed pretty reasonable, to be honest. Henry seemed like a nice guy, and things just gravitated toward him. Maybe I need to spend more daylight hours at the bar. I wouldn’t want to mess with Sylvester Stallone’s brother, though.

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Topics

drama, romance, dark comedy, character study, alcoholism, Los Angeles, misanthropy, bohemian, 1980s, gritty

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