Beowulf (2007)

Movie · 2007 · Adventure, Action, Animation · 1h 55m · PG-13 · English

Curator score: 3.0/10 (182.2K ratings)

Face your demons.

Overview

A 6th-century Scandinavian warrior named Beowulf embarks on a mission to slay the man-like ogre, Grendel.

Ratings

Director

Robert Zemeckis

Production

Shangri-La Entertainment, ImageMovers

Cast

Ray Winstone, Angelina Jolie, Anthony Hopkins, John Malkovich, Robin Wright, Brendan Gleeson, Crispin Glover, Alison Lohman, Paul Baker, John Bilezikjian, Rod D. Harbour, Sonje Fortag, Sharisse Baker-Bernard, Charlotte Salt, Julene Renee, Greg Ellis, Rik Young, Sebastian Roché, Leslie Zemeckis, Woody Schultz

Curator Review

Verdict

A bold, weird, and often entertaining fantasy experiment with a strong cast, pulpy energy, and a knowingly lurid take on the legend. It’s worth watching if you’re curious about early motion-capture spectacle or enjoy glossy, overcooked mythmaking, but the uncanny visuals and uneven tone are major hurdles.

Best for

  • fans of dark fantasy and monster-slaying epics
  • viewers interested in early motion-capture animation
  • people who enjoy campy, horny, high-gloss genre excess
  • Robert Zemeckis completists
  • audiences who like myth retellings with a pulpy edge

Skip if

  • uncanny CGI or motion-capture faces bother you
  • you want a reverent adaptation of the source material
  • you prefer grounded historical adventure
  • you’re looking for subtle character writing over spectacle
  • you have little patience for tonal camp

Overview

Beowulf is one of those big-studio gambles that feels more interesting than polished. It takes an ancient epic and turns it into a sweaty, violent, aggressively unholy fantasy movie, with enough swagger and absurdity to make the whole thing memorable even when it’s awkward. The cast helps enormously, and the film’s commitment to excess gives it a strange, durable personality.

Worth noting

The problem is that the technology is forever working against the material. The motion-capture imagery can be distracting, sometimes eerie, sometimes flat-out uncanny, and that keeps the movie from fully landing as either animation or live-action spectacle. But if you can accept it as a high-budget fever dream rather than a prestige fantasy, there’s real entertainment in its grotesque energy.

Bottom line

It’s best approached as a curiosity with ambition: a mythic action film that wants to be raunchy, operatic, and myth-busting all at once. That combination won’t work for everyone, but for viewers open to a messy swing, it has enough invention and visual audacity to justify the ride.

Top Letterboxd reviews

Bethany (0.5★) · 1354 likes

my ex made me watch this absolute TRASH in a shitty motel on our one year anniversary and that's how our relationship ended :)

Patrick Willems (2.5★) · 878 likes

Great script, great cast, if only it didn't all look like a video game cut scene

genevieve (4★) · 664 likes

it’s honestly rude that i don’t get to see his dick

Josh Lewis (3★) · 481 likes

So sick that Roger Avary and Neil Gaiman wrote the Excalibur of grotesque, uncanny dark fantasy monster fighting PlayStation cut scene cinema and Robert Zemeckis's central contribution is not just the graphically violent and horny mocap CG animation that makes it look like Zack Snyder's Shrek but also filling it with Austin Powers dick hiding gags. A movie designed in a lab to get 3 stars out of Roger Ebert by distracting him into writing multiple paragraphs about Angelina Jolie. For good or ill, no one cay say for sure, never again will class="h-100"50m be put into character designs by a senior VeggieTales animator.

Jakob Sanchez (2★) · 438 likes

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Topics

dark fantasy, myth adaptation, motion capture, CGI spectacle, monster movie, epic adventure, camp, violent, uncanny valley, medieval

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