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Big

A warm, funny, and slightly unsettling fantasy-comedy that still works because Tom Hanks fully commits to the child-in-an-adult-body premise. It’s charming, emotionally sincere, and packed with iconic set pieces, even if some of the romance and age-gap implications feel very dated now.

62% (579,298)

Big

Where to watch: Disney

Movie · Fantasy · Drama · PG

1988 · 1h 44m · ★ 62% (579.3K)

Have you ever had a really big secret?

Director: Penny Marshall

Starring: Tom Hanks, Elizabeth Perkins, Robert Loggia

Overview

When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.

Director

Penny Marshall

Production

American Entertainment Partners II L.P., Gracie Films, 20th Century Fox

Cast

Tom Hanks, Elizabeth Perkins, Robert Loggia, John Heard, Jared Rushton, David Moscow, Jon Lovitz, Mercedes Ruehl, Josh Clark, Kimberlee M. Davis, Oliver Block, Erika Katz, Allan Wasserman, Mark Ballou, Gary Klar, Alec Von Sommer, Chris Dowden, Rockets Redglare, Jamie Tirelli, Paul Herman

Where to watch

Disney Plus

Curator Review

Verdict

A warm, funny, and slightly unsettling fantasy-comedy that still works because Tom Hanks fully commits to the child-in-an-adult-body premise. It’s charming, emotionally sincere, and packed with iconic set pieces, even if some of the romance and age-gap implications feel very dated now.

Best for

  • fans of 80s studio comedies with heart
  • viewers who like high-concept body-swap or wish-fulfillment stories
  • people interested in early Tom Hanks star turns
  • audiences who don’t mind a few uncomfortable retro-comedy elements

Skip if

  • you’re sensitive to age-gap romance or consent-adjacent discomfort
  • you want a modern screenplay with sharper social awareness
  • you dislike sentimental crowd-pleasers
  • you prefer fantasy films that stay fully whimsical rather than mixing in workplace realism

Overview

Big is one of those late-80s studio movies that feels both effortless and slightly dangerous in hindsight. The premise is pure wish fulfillment, but the movie keeps finding comedy in the practical humiliations of adulthood: office politics, money, loneliness, and the absurdity of being taken seriously before you understand what that means.

Worth noting

Tom Hanks is the engine that makes it work. He plays the role with such open-faced curiosity that the film becomes less about a gimmick and more about the emotional truth of childhood wonder colliding with adult responsibility. The piano sequence remains the movie’s great showcase, but the quieter scenes are what give it staying power.

Bottom line

At the same time, it’s impossible to ignore how much the film’s romantic material now reads as awkward and troubling. That tension is part of its legacy: a beloved crowd-pleaser that also reveals how much mainstream comedies of the era relied on blind spots. Even so, Big remains funny, inventive, and surprisingly tender.

Top Letterboxd reviews

Michael SweatpantsDisco (4★) · 6996 likes

If you skip the first 20 minutes of the movie, it's just the story of an autistic man overcoming his hardships in the workplace.

Eliza (3★) · 3999 likes

This falls under the category of "fun 80s movies that become INSANELY uncomfortable if you think about it for too long"

Patrick Willems (4★) · 3076 likes

It's weird that he and Elizabeth Perkins have sex.

eely (3.5★) · 2503 likes

imagine this movie from the mom’s perspective.

Oliver Swift (4.5★) · 1656 likes

Watching that piano scene is the most fun I’ve had all year

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Themes

wish fulfillment, coming of age, adult responsibility, childhood innocence, identity, workplace comedy, romantic awkwardness, nostalgia

Topics

80s comedy, fantasy drama, body-swap premise, coming-of-age, workplace satire, nostalgic, sentimental, awkward romance, fish-out-of-water, mainstream studio film

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