Come from Away (2021)

Movie · 2021 · Comedy, Drama · 1h 47m · PG-13 · English

Curator score: 9.2/10 (19.8K ratings)

When the world stood still, they came together.

Overview

Filmed live on Broadway, the Tony Award-winning musical tells the remarkable true story of 38 flights grounded in a small Canadian town on September 11, 2001. As the locals host these “come from aways,” they come together and find hope.

Ratings

Director

Christopher Ashley

Production

Entertainment One, Junkyard Dog Productions, RadicalMedia

Cast

Jenn Colella, Joel Hatch, Tony LePage, Caesar Samayoa, Astrid Van Wieren, Jim Walton, Petrina Bromley, Sharon Wheatley, Emily Walton, Q. Smith, De'Lon Grant, Paul Whitty

Where to watch

Apple TV Plus

Curator Review

Verdict

A warmly staged, emotionally direct pro-shot that turns a 9/11 aftermath story into something humane, funny, and deeply communal. It’s especially rewarding if you like ensemble-driven musical theater, uplifting true stories, and performance-first filmmaking that preserves the energy of the stage.

Best for

  • musical theater fans
  • viewers who like true stories about community and resilience
  • audiences open to earnest, feel-good storytelling
  • fans of ensemble casts and performance-driven cinema
  • people interested in 9/11-era human stories without cynicism

Skip if

  • you dislike filmed stage productions
  • you want a gritty, realistic disaster drama
  • you prefer subtle, understated storytelling
  • you’re looking for a conventional movie-musical with cinematic location filming
  • you’re sensitive to 9/11 subject matter

Overview

Come from Away is one of those rare stage-to-screen recordings that understands the value of preserving the live event rather than trying to reinvent it. The result is brisk, funny, and moving, with an ensemble that sells both the comedy of cultural collision and the emotional weight of strangers taking care of one another under impossible circumstances.

Worth noting

What makes it work is its sincerity. The show never pretends the events are small, but it finds its power in ordinary acts of hospitality, confusion, and trust. That balance of warmth and grief gives it a genuine lift, and the filmed presentation captures the choreography, pacing, and communal momentum with real care.

Bottom line

If you’re allergic to Broadway earnestness, this may feel a little broad in places. But if you’re receptive to a musical that aims straight for the heart and largely lands every beat, it’s a standout. It’s less a movie adaptation than a beautifully preserved performance, and that’s exactly why it resonates.

Top Letterboxd reviews

Cameron (4.5★) · 685 likes

EAT SHIT DEAR EVAN HANSEN

JACK TUCKER · 580 likes

theater kids need their own letterboxd so they have a place to let it all out

Jay (5★) · 399 likes

the actual tony winner for best new musical in 2017

alice (5★) · 304 likes

i am not a secretary. i’m a sexy-tary

Jack Moulton (4.5★) · 289 likes

This is Broadway corniness at its best. Utterly earnest and life-affirming. It works because there's not a single weak link. Any element not at its best could have derailed it. So it's easy to forgive the exposition-landfills and broader strokes due to the strength of its cast and feel-good vibes. I had seen the touring production a couple of years ago but I think this filmed version was better. I was really impressed by the blocking and editing. Definitely a shade above Hamilton from last year.

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Topics

musical, drama, ensemble, uplifting, post-9/11, true story, stage recording, community, earnest, heartfelt

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