El Conde (2023)

Movie · 2023 · Fantasy, Comedy, Horror · 1h 51m · R · Spanish

Curator score: 3.6/10 (98.6K ratings)

Things are about to get bloody...

Overview

After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won't let him go without one last bite.

Ratings

Director

Pablo Larraín

Production

Fabula

Cast

Jaime Vadell, Gloria Münchmeyer, Alfredo Castro, Paula Luchsinger, Stella Gonet, Catalina Guerra, Amparo Noguera, Antonia Zegers, Marcial Tagle, Diego Muñoz, Clemente Rodríguez, Rosario Zamora, Sofia Maluk, Marcelo Alonso, Daniel Contesse, Daniela Seguel, Jaime McManus, Alessandra Guerzoni, Mariela Mignot, Josefina González

Where to watch

Netflix, Netflix Standard with Ads

Curator Review

Verdict

A sharp, audacious political satire with striking black-and-white imagery and a nasty sense of humor, but its deadpan absurdism and deliberately tangled plotting can make it feel more clever than fully satisfying. Best approached as a grotesque allegory about power, corruption, and historical rot rather than a streamlined vampire story.

Best for

  • viewers who like political satire with a surreal edge
  • fans of arthouse horror and black comedy
  • people interested in Latin American cinema and historical allegory
  • audiences who enjoy formal, monochrome cinematography

Skip if

  • you want a fast, coherent genre plot
  • you dislike deadpan absurdity and tonal coldness
  • you prefer horror with scares over metaphor
  • you are sensitive to anti-authoritarian satire or historical political references

Overview

El Conde turns Augusto Pinochet into a centuries-old vampire, and the joke lands because it is both blunt and barbed. Pablo Larraín uses the undead premise as a way to literalize greed, parasitism, and the way authoritarian power feeds on a country long after the headlines fade.

Worth noting

The film’s strongest asset is its look: stark black-and-white images that give the satire a funereal, gothic chill. It has a nasty wit and a few inspired reversals, but the narrative is intentionally labyrinthine, sometimes to the point of feeling shaggy or overextended.

Bottom line

If you’re in the mood for a political horror-comedy that treats history as a haunted house, it’s a memorable provocation. If you want a cleaner escalation of jokes, scares, or plot, the movie’s chilly detachment may keep you at arm’s length.

Top Letterboxd reviews

Catalina (1★) · 2999 likes

As a fellow Chilean, fuck this shit and Pablo Larrain, his family and Fabula producciones. I guess making a movie about something else than the most horrid era (with little justice made and that your direct family profited from) our country has seen takes too much creativity and genuine film director abilities: too much to ask. If i can give credits to Pablo for something, it is for monopolizing the Chilean cinema industry with mediocre productions with the same five elite… more As a fellow Chilean, fuck this shit and Pablo Larrain, his family and Fabula producciones. I guess making a movie about something else than the most horrid era (with little justice made and that your direct family profited from) our country has seen takes too much creativity and genuine film director abilities: too much to ask. If i can give credits to Pablo for something, it is for monopolizing the Chilean cinema industry with mediocre productions with the same five elite… more

Simon (3★) · 1556 likes

El Cunt

Jay (2.5★) · 1393 likes

the greatest horror of all was the prospect that thatcher may still be alive

Emanuele Antolini (3★) · 1364 likes

A dictator walks home alone at night

davidehrlich (3★) · 937 likes

Everyone knows that Chilean dictator Augusto Pinochet died in December 2006 at the age of 91, more than 30 years after he seized power from Salvador Allende in a coup d’état that was followed by censorship, torture, mass internments, and forced disappearances at the pleasure of an unelected regime that drained the country of its lifeblood for generations to come. What Pablo Larraín’s cheeky and grotesque “El Conde” (or “The Count”) presupposes is… what if he didn’t? Directly addressing a… more

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Topics

political horror, black comedy, arthouse, gothic, satire, black-and-white cinematography, historical allegory, Latin American cinema, vampire metaphor, absurdist

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