EO (2022)

Movie · 2022 · Drama, Adventure · 1h 28m · NR · English

Curator score: 6.6/10 (108.3K ratings)

May all your dreams come true.

Overview

The world is a mysterious place when seen through the eyes of an animal. EO, a grey donkey with melancholic eyes, meets good and bad people on his life’s path, experiences joy and pain, endures the wheel of fortune randomly turn his luck into disaster and his despair into unexpected bliss. But not even for a moment does he lose his innocence.

Ratings

Director

Jerzy Skolimowski

Production

Skopia Film, Alien Films, Recorded Picture Company, Fale Loki Koki, Grupa Moderator Studio Filmowe, Veilo

Cast

Sandra Drzymalska, Isabelle Huppert, Lorenzo Zurzolo, Mateusz Kościukiewicz, Tomasz Organek, Lolita Chammah, Agata Sasinowska, Anna Rokita, Michał Przybysławski, Gloria Iradukunda, Piotr Szaja, Aleksander Janiszewski, Delfina Wilkońska, Andrzej Szeremeta, Wojciech Andrzejuk, Mateusz Murański, Marcin Drabicki, Maciej Stępniak, Fernando Junior Gomes da Silva, Krzysztof Karczmarz

Where to watch

Max

Curator Review

Verdict

A strange, mournful, and visually inventive road movie that turns a donkey’s journey into a poetic study of cruelty, wonder, and accidental grace. It’s more sensory and impressionistic than plot-driven, but that’s exactly where its power lies.

Best for

  • Viewers who like arthouse cinema with a strong formal idea
  • Fans of animal-centered stories that are not sentimental
  • People drawn to environmental, existential, or anti-anthropocentric themes
  • Audiences open to episodic, dreamlike storytelling

Skip if

  • You want a conventional narrative with clear character arcs
  • You prefer emotionally straightforward or family-friendly animal films
  • You’re impatient with abstract symbolism and tonal shifts
  • You dislike movies that are more experiential than explanatory

Overview

EO is a rare film that commits fully to its premise: a donkey’s life becomes a prism for human violence, absurdity, tenderness, and indifference. Jerzy Skolimowski keeps the movie loose and episodic, but the formal control is precise, with sound, color, and movement used to place us inside a world that feels both physical and dreamlike.

Worth noting

What makes it linger is its refusal to sentimentalize the animal at its center. EO is not a mascot or a metaphor to be neatly decoded; he is simply alive, vulnerable, and exposed to whatever people project onto him. That gives the film a quiet emotional sting, especially when its moments of beauty arrive without warning.

Bottom line

It won’t be for everyone, especially viewers looking for a traditional story or a warm animal adventure. But for those open to a poetic, sometimes punishing cinematic experience, EO is one of the more distinctive films of recent years: sad, strange, and unexpectedly moving.

Top Letterboxd reviews

Colin Burgess (3.5★) · 3399 likes

6 donkeys played EO in this. I’m really good at recognizing different donkeys so that really took me out of it

Ella Kemp (3.5★) · 2506 likes

I would protect EO, listen to EO, cherish EO, support EO, pray to EO, love this here donkey named EO

Karsten (4★) · 2461 likes

when (if) I make it to 84, I hope I get to make something this appreciative of the earth and the creatures that make it worth living on

davidehrlich (4★) · 1932 likes

EO is my best friend.

oliveblair (4★) · 1754 likes

A24 killing themselves that they didn’t produce this fr

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Topics

arthouse, road movie, animal protagonist, poetic realism, surreal, ecological, melancholic, episodic, European cinema, experimental

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