Funny Face (1957)

Movie · 1957 · Music, Comedy, Romance · 1h 43m · NR · English

Curator score: 7.1/10 (36K ratings)

S'Wonderful! S'Marvelous! ...She's The Fairest Lady of All!

Overview

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

Ratings

Director

Stanley Donen

Production

Paramount Pictures

Cast

Audrey Hepburn, Fred Astaire, Kay Thompson, Michel Auclair, Robert Flemyng, Dovima, Suzy Parker, Sunny Hartnett, Jean Del Val, Virginia Gibson, Sue England, Ruta Lee, Alex Gerry, Bess Flowers, Iphigenie Castiglioni, Bert Stevens, Harold Miller, Franklyn Farnum, Brandon Beach, Carole Eastman

Curator Review

Verdict

A glossy, high-energy Technicolor musical with standout choreography, Parisian fantasy, and Audrey Hepburn’s effortless screen presence. The romance is the weakest part, but the visual design, dance numbers, and fashion-world satire make it a classic worth seeing.

Best for

  • fans of classic Hollywood musicals
  • viewers who love fashion and Paris settings
  • audiences who prioritize style, color, and choreography
  • Audrey Hepburn admirers
  • people who enjoy light romantic comedies with musical numbers

Skip if

  • you need strong romantic chemistry
  • you dislike old-school musical staging
  • you want a plot-driven film over mood and spectacle
  • you are sensitive to age-gap romance dynamics

Overview

Funny Face is at its best when it turns into a moving fashion editorial: bold color, crisp compositions, and dance numbers that feel designed to show off fabric, space, and motion. Stanley Donen keeps the film buoyant and playful, and the Paris sequences give it a dreamy, aspirational glow that still lands decades later.

Worth noting

Audrey Hepburn is the center of gravity here, balancing awkwardness, elegance, and comic timing in a way that makes the character’s transformation feel charming rather than mechanical. Fred Astaire brings polish and ease, though the romance between them is more functional than electric, and the film is happiest when it leans into style, performance, and wit instead of courtship.

Bottom line

The first half is especially strong, with the bookstore-to-fashion-world contrast giving the movie a lively sense of discovery. If you come for the songs, choreography, and visual invention, it delivers beautifully; if you come for a convincing love story, it may leave you wanting more.

Top Letterboxd reviews

sai (4★) · 4899 likes

if audrey hepburn has a "funny" face what does that make my face

Michał (4.5★) · 4762 likes

i was enjoying this so much until audrey hepburn kissed fred astaire's old shrivelled face and i felt attacked

Mercedes (3.5★) · 2818 likes

This could be so much better if there wasn’t any romance: astaire and hepburn don’t share any chemistry, the romance itself is rushed, doesn’t make sense and honestly isn’t romantic in the slightest, and it’s not what the film should be about. The first portion of this film is absolutely fantastic. Amazing music numbers and choreography, the songs are good, and the colours! the cinematography! everything about it is perfect and unique. However, the last half of the film really… more

mia lee vicino (3★) · 2725 likes

the Look of the Day is audrey hepburn in a black turtleneck interpretive dancing in a parisian beatnik night club

luana (5★) · 1796 likes

I’m calling anyone who annoys me a ‘hostile vibration’ from now on

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Topics

classic musical, Technicolor, fashion, Paris, romantic comedy, choreography, 1950s, style, lighthearted, visual spectacle

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