Hell or High Water (2016)

Movie · 2016 · Western, Crime, Drama · 1h 42m · R · English

Curator score: 8.2/10 (642.7K ratings)

Blood always follows money.

Overview

A divorced dad and his ex-con brother resort to a desperate scheme in order to save their family's farm in West Texas.

Ratings

Director

David Mackenzie

Production

Sidney Kimmel Entertainment, Film 44, OddLot Entertainment, Estrella Media, Lionsgate, CBS Films

Cast

Jeff Bridges, Chris Pine, Ben Foster, Gil Birmingham, Marin Ireland, Kevin Rankin, Dale Dickey, William Sterchi, Kristin K. Berg, Katy Mixon, Buck Taylor, Keith Meriweather, Amber Midthunder, Jackamoe Buzzell, Joe Berryman, Taylor Sheridan, Howard Ferguson Jr., Debrianna Mansini, Paul Howard Smith, Nathaniel Augustson

Where to watch

Max

Curator Review

Verdict

A lean, emotionally grounded modern western-crime hybrid with strong performances, sharp dialogue, and a clear sense of place. It balances suspense and character work while turning economic desperation into something both tense and tragic.

Best for

  • Viewers who like modern westerns with crime-thriller momentum
  • Fans of understated, adult character drama
  • People drawn to regional stories about poverty, debt, and family obligation
  • Audiences who appreciate dry humor mixed with melancholy

Skip if

  • You want a fast, twist-heavy crime movie
  • You prefer highly stylized or mythic westerns
  • You dislike slow-burn storytelling and subdued emotional registers
  • You need a purely action-driven heist film

Overview

Hell or High Water is one of the cleanest examples of the modern American western done right: spare, tense, and rooted in economic reality. It uses the bank robbery framework not as a gimmick but as a way to explore debt, inheritance, and the brutal math of survival in a fading landscape.

Worth noting

What makes it work is the balance. The movie is tough without being cold, funny without undercutting the stakes, and morally alert without turning into a lecture. Chris Pine and Ben Foster give the outlaw side real texture, while Jeff Bridges brings a weary, lived-in authority that keeps the film grounded.

Bottom line

It feels classic in structure but contemporary in its anxieties, which is why it lands so well. This is a film about people cornered by systems bigger than themselves, and it understands that desperation can look a lot like destiny.

Top Letterboxd reviews

Todd Gaines (5★) · 2590 likes

Hell or High Water might be the most adult film I've seen this decade. No gimmicks. No juvenile tendencies. No bull. No cheap shots. It's a Deep Fried Wild West Western Texas Noir, filmed in New Mexico, but it's Texas to the bone. Jeff Bridges is the cop. Chris Pine is the robber. However, they're both duel-protagonists. The outlaw in me wanted Mr Pine to win the duel. While my conscience cheered on Mr Bridges. Both, have polar opposite partners.… more

cinéfila... 🕯️ (2.5★) · 2084 likes

jeff bridges in this sounds like he swallowed ten tiny tom hardys and gained their combined mumbling powers

Matt Singer (4★) · 1511 likes

I needed this movie. A reminder thrillers don’t have to be dumb, and smart movies don’t have to be boring. Full review at ScreenCrush.

Tao A (5★) · 1183 likes

Texas is my favorite genre.

Sean Gilman (3★) · 816 likes

Old Country for No Men.

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Topics

modern western, crime drama, neo-western, slow burn, rural America, economic hardship, moral ambiguity, brotherhood, tense, dusty atmosphere

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