Inglourious Basterds (2009)

Movie · 2009 · Drama, Thriller, War · 2h 33m · R · English

Curator score: 9.3/10 (5.3M ratings)

Once upon a time in Nazi occupied France...

Overview

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Ratings

Director

Quentin Tarantino

Production

Universal Pictures, The Weinstein Company, A Band Apart, Zehnte Babelsberg Film, Visiona Romantica

Cast

Brad Pitt, Mélanie Laurent, Christoph Waltz, Eli Roth, Michael Fassbender, Diane Kruger, Daniel Brühl, Til Schweiger, Gedeon Burkhard, Jacky Ido, B.J. Novak, Omar Doom, August Diehl, Denis Ménochet, Sylvester Groth, Martin Wuttke, Mike Myers, Julie Dreyfus, Richard Sammel, Alexander Fehling

Where to watch

Peacock Premium, Peacock Premium Plus

Curator Review

Verdict

A gleefully audacious revenge fantasy that turns World War II into a tense, language-driven cat-and-mouse thriller with explosive set pieces and one of Tarantino’s most memorable villains. Its historical liberties are the point: it’s stylish, funny, vicious, and built for viewers who like their war movies sharpened into pulp cinema.

Best for

  • fans of revisionist history and alternate-history premises
  • viewers who enjoy long-burn dialogue scenes that suddenly snap into violence
  • people who like dark comedy mixed with suspense
  • audiences drawn to charismatic villains and ensemble casts
  • fans of stylish, highly quotable genre filmmaking

Skip if

  • you want a serious, historically faithful World War II drama
  • you dislike graphic violence and sadistic humor
  • you prefer restrained pacing over chapter-based, talky storytelling
  • you are put off by self-conscious, stylized filmmaking

Overview

Inglourious Basterds is less a war film than a revenge opera disguised as one. Tarantino builds enormous tension out of conversation, accents, and tiny social missteps, then releases it in bursts of shocking violence. The result is both playful and cruel, a movie that understands how suspense can be as satisfying as action when every scene feels like a duel.

Worth noting

What gives it staying power is the precision of its performances and the confidence of its structure. Christoph Waltz’s Hans Landa is the film’s engine: charming, terrifying, and always in control until he isn’t. Around him, the movie keeps shifting registers between satire, thriller, and grindhouse fantasy without losing momentum.

Bottom line

It’s not for viewers looking for solemnity or accuracy. But if you want a war movie that weaponizes dialogue, rewrites history with a wicked grin, and delivers one of the most cathartic finales in modern studio cinema, this is essential viewing.

Top Letterboxd reviews

demi adejuyigbe · 30936 likes

i would never invite hitler to my movie premiere. that guy is bad news

#1 gizmo fan (5★) · 25622 likes

shosanna dreyfus laughing while a theater full of nazis are screaming in agonizing pain is by far the most beautiful thing I've ever heard

Ellie ✨ (5★) · 17136 likes

when i find myself in times of trouble, actor brad pitt comes to me, speaking words of wisdom: "BAWN-JOWR-NO"

allison (5★) · 17135 likes

me in 2009: wow! something we can all agree on is that nazis are bad! what a horrifying period in history! haha brad pitt's really hot in this movie! me in 2017: My name is Lt. Aldo Raine and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians.… more

mia lee vicino (5★) · 13375 likes

what’s better than this, guys killin nazis

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Topics

war thriller, alternate history, revenge fantasy, dark comedy, anti-fascist, ensemble cast, stylized violence, suspense, period piece, dialogue-driven

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