Jay Kelly (2025)

Movie · 2025 · Drama, Comedy · 2h 12m · R · English

Curator score: 3.8/10 (223.7K ratings)

Everybody knows Jay Kelly, but Jay Kelly doesn't know himself.

Overview

Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.

Ratings

Director

Noah Baumbach

Production

Pascal Pictures, Heyday Films, NB/GG Pictures

Cast

George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Jim Broadbent, Patrick Wilson, Eve Hewson, Greta Gerwig, Alba Rohrwacher, Josh Hamilton, Lenny Henry, Emily Mortimer, Nicôle Lecky, Thaddea Graham, Isla Fisher, Stanley Townsend, Erica Sweany

Where to watch

Netflix, Netflix Standard with Ads

Curator Review

Verdict

A reflective, often funny showbiz road movie with real sadness at its center, but it can feel too self-conscious and emotionally obvious for its own good. The strongest stretch is the relationship between the star and his manager, which gives the film more bite than its celebrity premise alone suggests.

Best for

  • fans of bittersweet character studies
  • viewers who like backstage Hollywood stories
  • people open to melancholy comedy-drama
  • audiences interested in regret, aging, and legacy

Skip if

  • you want sharp, highly subversive dialogue
  • you dislike self-pitying or navel-gazing stories
  • you prefer plot-driven comedies
  • you’re tired of movies about famous people reflecting on fame

Overview

Jay Kelly is at its best when it stops admiring its own premise and lets the emotional damage surface. The movie understands the weird loneliness of being professionally adored and personally absent, and it finds its most affecting material in the manager who has spent years orbiting that emptiness.

Worth noting

Noah Baumbach’s touch is present in the anxiety, the self-justifying humor, and the ache of people who cannot quite say what they need to say. But the film is also more straightforward than his sharpest work, and some of its insights land with a little too much force instead of surprise.

Bottom line

Even so, the performances keep it alive, especially in the scenes where the movie turns from celebrity satire into a reckoning with wasted time. It’s a sad, polished, occasionally overfamiliar film that still earns its final emotional notes.

Top Letterboxd reviews

James (Schaffrillas) (3.5★) · 3662 likes

It's good, but there's an inescapable "woe is me" quality that never fully goes away even during Clooney's best scenes. It quickly becomes evident that the emotional core lies with Sandler's character, to the point where I had to question why the story wasn't about him. As a Baumbach fan I'm disappointed that the dialogue wasn't sharper and the message wasn't conveyed in a more subtle manner; it really isn't like him to turn in a script so standard. Credit… more It's good, but there's an inescapable "woe is me" quality that never fully goes away even during Clooney's best scenes. It quickly becomes evident that the emotional core lies with Sandler's character, to the point where I had to question why the story wasn't about him. As a Baumbach fan I'm disappointed that the dialogue wasn't sharper and the message wasn't conveyed in a more subtle manner; it really isn't like him to turn in a script so standard. Credit… more

abdullah (3★) · 3582 likes

Ironic that netflix dropped a movie about the glory of movies and going to theatres the day they announced they could potentially ruin that.

zoë rose bryant (4★) · 3284 likes

“it’s got to have meant something.”“what if it didn’t?”crazy for this and sentimental value to release so close together, because they make for an almost impossibly perfect double feature - albeit one that might also murder the first daughters of flawed fathers “can i go again? i’d like another one.” fucking hell.

Patrick Willems · 2431 likes

A major addition to the train movie canon

Sydney🚀 (3.5★) · 2270 likes

Deeply, deeply sad movie about the sort of person you don’t want to shed tears for, so it works that it plays like A Christmas Carol for a solipsistic absent father and friend - “who will be at my tribute?” becomes “who will be at my funeral?” becomes a devastating reminder that we only get one go at this, and sometimes what you thought you would have to show for it doesn’t mean anything at all. Leave it to Adam… more Deeply, deeply sad movie about the sort of person you don’t want to shed tears for, so it works that it plays like A Christmas Carol for a solipsistic absent father and friend - “who will be at my tribute?” becomes “who will be at my funeral?” becomes a devastating reminder that we only get one go at this, and sometimes what you thought you would have to show for it doesn’t mean anything at all. Leave it to Adam… more

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Topics

drama, comedy-drama, Hollywood, road movie, bittersweet, melancholy, midlife crisis, regret, legacy, character study

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