Living (2022)

Movie · 2022 · Drama · 1h 42m · PG-13 · English

Curator score: 6.3/10 (111.4K ratings)

It's never too late to start.

Overview

London, 1953. Mr. Williams, a veteran civil servant, is an important cog within the city's bureaucracy as it struggles to rebuild in the aftermath of World War II. Buried under paperwork at the office and lonely at home, his life has long felt empty and meaningless. Then a devastating medical diagnosis forces him to take stock, and to try and grasp some fulfilment before it passes permanently beyond reach.

Ratings

Director

Oliver Hermanus

Production

Number 9 Films, Film4 Productions, County Hall Arts, Lipsync Productions, RocketScience, Kurosawa Production

Cast

Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke, Adrian Rawlins, Oliver Chris, Hubert Burton, Zoe Boyle, Barney Fishwick, Patsy Ferran, Michael Cochrane, Lia Williams, Anant Varman, Jessica Flood, Jamie Wilkes, Richard Cunningham, John Mackay, Ffion Jolly, Celeste Dodwell, Jonathan Keeble

Where to watch

fuboTV

Curator Review

Verdict

A warm, restrained, and beautifully made existential drama that turns a bureaucrat’s quiet life into something moving and humane. It’s especially rewarding if you like polished period filmmaking, melancholy performances, and stories about late-life awakening rather than big plot turns.

Best for

  • fans of intimate character studies
  • viewers who like British period drama
  • people drawn to reflective, life-affirming stories
  • admirers of understated performances
  • fans of remake-as-homage cinema

Skip if

  • you want a fast-moving plot
  • you dislike sentimental or elegiac tones
  • you prefer highly stylized or formally adventurous filmmaking
  • you need high stakes beyond emotional self-reckoning

Overview

Living is a graceful remake that understands the value of restraint. It takes a familiar existential premise and filters it through postwar London, where routine, decorum, and emotional repression have calcified into a life half-lived. The result is modest in scale but carefully composed, with a melancholy that never feels showy.

Worth noting

Bill Nighy gives the film its center of gravity, playing Mr. Williams with a kind of trembling dignity that makes every small shift feel significant. The film’s pleasures are in its details: the soft color palette, the patient pacing, the warmth that slowly enters the frame, and the way it finds meaning in simple acts of attention and kindness.

Bottom line

It can feel a little over-earnest at times, and some viewers may wish it trusted its own simplicity even more. But as a piece of humane craftsmanship, it lands beautifully. This is a film about learning how to live before time runs out, and it delivers that idea with sincerity and polish.

Top Letterboxd reviews

Jay (3.5★) · 1768 likes

its like breaking bad but instead of building a meth empire he builds a childrens play park

Danny (4★) · 1401 likes

Maybe the politest screenplay ever written.

Ella Kemp (4★) · 897 likes

“If only to be alive like that for one day.” Score of the year, and Bill Nighy and Aimee Lou Wood together are just divine. Can’t get over how well made this is

anna nomaly (3★) · 830 likes

He makes you want to give him a hug but not an Oscar.

TheRightOpinion (3.5★) · 588 likes

This is actually a prequel to Mrs. Harris Goes To Paris

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Topics

existential drama, British period piece, postwar melancholy, character study, understated performance, life-affirming, bureaucratic satire, sentimental realism, slow-burn drama, mid-century setting

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