Mary and Max (2009)

Movie · 2009 · Animation, Comedy, Drama · 1h 32m · NR · English

Curator score: 9.1/10 (403.4K ratings)

Sometimes perfect strangers make the best of friends.

Overview

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

Ratings

Director

Adam Elliot

Production

Melodrama Pictures, Screen Australia, Film Victoria, SBS

Cast

Toni Collette, Philip Seymour Hoffman, Barry Humphries, Eric Bana, Bethany Whitmore, Renée Geyer, Ian 'Molly' Meldrum, John Flaus, Julie Forsyth, Christopher Massey, Oliver Marks, Daisy Kocher, Daniel Marks, Hamish Hughes, Dan Doherty, Mandy Mao, Patrick McCabe, Adam Elliot, Michael J. Allen, Bill Murphy

Where to watch

Hulu, AMC+, Philo, Sundance Now

Curator Review

Verdict

A painfully funny, deeply compassionate stop-motion dramedy about loneliness, neurodivergence, and the fragile miracle of being understood. Its handmade look and deadpan humor soften some of the bleakness, but the emotional honesty is what lingers.

Best for

  • viewers who like dark comedy with real emotional weight
  • fans of distinctive stop-motion animation
  • people drawn to stories about loneliness, friendship, and mental health
  • audiences who appreciate bittersweet, offbeat humanism

Skip if

  • you want bright, family-friendly animation
  • you dislike bleak or emotionally heavy stories
  • you prefer fast-paced plotting over character-driven reflection
  • you’re put off by crude humor and awkward social behavior

Overview

Mary and Max is one of those rare films that uses animation not to escape pain, but to make it more visible. The handmade clay textures, muted palette, and slightly awkward movement all feel perfectly matched to a story about people who struggle to fit into the world and into each other’s lives. It is funny in a very specific, dry way, but the comedy never cancels out the sadness underneath it.

Worth noting

What makes it so affecting is its refusal to simplify loneliness. Mary and Max are both damaged, both isolated, and both capable of kindness and harm. The film treats their flaws with unusual patience, finding humor in embarrassment and tragedy in ordinary life without becoming cruel. That balance gives it a bruised, sincere emotional power.

Bottom line

It is not an easy watch, and it is definitely not a cute one. But for viewers open to melancholy, adult animation, and stories that sit with discomfort rather than resolve it neatly, it is unforgettable. The ending lands because the film has earned its tenderness the hard way.

Top Letterboxd reviews

liam f (5★) · 2925 likes

anyone who undermines films purely because they're animated can kindly shut the hell up

Alex IHE · 2655 likes

I liked all the farts

aksel (5★) · 2291 likes

this is single-handedly the most soul crushing piece of media i’ve ever consumed. i am destroyed

Sabrina 🏳️‍🌈🏳️‍⚧️ (4.5★) · 1488 likes

Is it weird that I wanna try a chocolate hot dog now?

Gio (4★) · 1464 likes

Im glad Len got over his homophobia

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Topics

stop-motion animation, dark comedy, bittersweet, melancholy, adult animation, social isolation, mental health, offbeat, humanist, dramedy

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