Monsieur Lazhar (2011)

Movie · 2011 · Drama, Comedy · 1h 34m · French

Curator score: 7.7/10 (35.2K ratings)

No matter where you go... there you are

Overview

During a harsh Montréal winter, an elementary-school class is left reeling after its teacher commits suicide. Bachir Lazhar, a charismatic Algerian immigrant, steps in as the substitute teacher for the classroom of traumatized children. All the while, he must keep his personal life tucked away: the fact that he is seeking political refuge in Québec – and that he, like the children, has suffered an appalling loss.

Ratings

Director

Philippe Falardeau

Production

micro_scope, CBC, Téléfilm Canada

Cast

Mohamed Fellag, Émilien Néron, Danielle Proulx, Sophie Nélisse, Marie-Ève Beauregard, Denise Lamontagne, Brigitte Poupart, Louis Champagne, Daniel Gadouas, Vincent Millard, Seddik Benslimane, Louis-David Leblanc, Gabriel Verdier, Marianne Soucy-Lord, Jules Philip, Francine Ruel, Sophie Sanscartier, Nicole-Sylvie Lagarde, André Robitaille, Marie Charlebois

Where to watch

Philo

Curator Review

Verdict

A restrained, deeply humane grief drama that finds real feeling in the classroom without slipping into sentimentality. It’s especially rewarding if you like understated performances, social realism, and stories about how adults and children process loss differently.

Best for

  • viewers who like quiet, character-driven dramas
  • fans of classroom-set stories that avoid inspirational clichés
  • audiences interested in immigration, grief, and identity
  • people who appreciate naturalistic acting and subtle emotional buildup

Skip if

  • you want a fast-moving or plot-heavy film
  • you prefer uplifting, feel-good teacher movies
  • you’re looking for broad comedy or high drama
  • suicide-related subject matter is likely to be triggering

Overview

Monsieur Lazhar is one of those films that trusts silence, awkwardness, and small gestures to do the heavy lifting. Philippe Falardeau keeps the tone measured and humane, letting the classroom become a fragile space where grief is both managed and mismanaged, often by people who barely know how to name it. The result is tender without being sentimental, and honest without feeling cold.

Worth noting

What makes it stand out is the way it refuses the usual inspirational-teacher arc. Bachir is not a savior, and the children are not symbols; they are wounded people trying to continue. The film is especially strong in how it contrasts adult institutions with the emotional reality of children, and in how it folds Bachir’s own displacement into the story without over-explaining it.

Bottom line

The performances, especially from the children, give the movie its quiet force. It’s patient, observant cinema with a mournful afterglow, and it lingers because it understands that grief doesn’t resolve neatly. Instead, it gets carried forward, awkwardly and imperfectly, into the next day.

Top Letterboxd reviews

avenland (5★) · 152 likes

it's life that's violent, not the text.

Paul S (4★) · 137 likes

Rice Krispie Squares are like baklava Quebec style.

Ella (4.5★) · 121 likes

"Boris, get some air. It's easy, put on your coat, open your eyes, open your nostrils.Breathe, run around, play.Fly away if you can.You'll see that your migraine has flown away too." Note: Honestly, this is one of the hardest reviews I've written. I have written many versions of it over the past few months, trying to do it the justice it deserves without being overwhelmingly personal. I hope this works, even though it isn't very analytical. When… more

.-. · 73 likes

I’m actually really shocked at how good these kids acted.

jackiezies (4★) · 65 likes

the pictures of algiers taped to the desk yes i cried

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Topics

drama, social realism, grief, immigration, classroom, trauma, quiet tone, coming-of-age, Canadian cinema, understated

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