Night Shift (1982)

Movie · 1982 · Comedy · 1h 46m · R · English

Curator score: 5.0/10 (19.9K ratings)

Ever since two enterprising young men turned the City Morgue into a swinging business, people have been dying to get in.

Overview

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbor complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night.

Ratings

Director

Ron Howard

Production

The Ladd Company, Brian Grazer Productions

Cast

Henry Winkler, Michael Keaton, Shelley Long, Gina Hecht, Pat Corley, Bobby Di Cicco, Nita Talbot, Basil Hoffman, Tim Rossovich, Clint Howard, Joe Spinell, Cheryl Carter, Becky Gonzalez, Corki Grazer, Jaid Barrymore, Ava Lazar, Robbin Young, Ola Ray, Cassandra Gava, Mimi Lieber

Curator Review

Verdict

A scrappy early-80s studio comedy with a great odd-couple engine, strong New York grime, and an especially lively Michael Keaton debut. It’s funny more often than it is consistently sharp, but the chemistry and premise give it enough personality to recommend with caveats.

Best for

  • fans of early-80s urban comedies
  • viewers who like odd-couple buddy dynamics
  • Michael Keaton completists
  • people who enjoy sleazy New York time-capsule energy
  • audiences open to broad, uneven studio comedy

Skip if

  • you want tightly constructed jokes throughout
  • you dislike sex-comedy premises
  • you need a polished or modern comedic rhythm
  • you’re put off by dated gender politics or raunch

Overview

Night Shift works best as a snapshot of a very specific early-80s comedy mode: scruffy, horny, and surprisingly affectionate about its underdogs. Ron Howard keeps the movie moving through a grimy New York setting, and the contrast between Henry Winkler’s timid everyman and Michael Keaton’s fast-talking chaos agent gives the film its spark. Keaton arrives like a live wire and nearly steals the whole picture.

Top Letterboxd reviews

🇵🇱 Steve G 🐝 (3★) · 174 likes

Night Shift could and should have been sooooo good and yet it’s one of those films that left me thinking of what could have been. The first half of this is great. The characters are set up and established really well, there are some brilliant one-liners (“He was my Avon lady” and “Something Polish” especially stand out), the chemistry between Henry Winkler and Michael Keaton seems to be there in abundance, and Shelley Long is at her very best as… more

gregs1999 (3.5★) · 105 likes

Henry Winkler and Michael Keaton made for a really funny pair. Being Keaton’s first starring role, he came out of the gates with full force, and by the end of the decade, became a household name with Beetlejuice and Batman. Very silly premise that works well. Ron Howard ranked

eely (3.5★) · 91 likes

all the girls bailing chuck and bill out of jail 😭 top ten wholesome moments

Lebowskidoo 🇨🇦 🎬 🍿🦞 (4.5★) · 76 likes

An early 80's Ron Howard comedy about two morgue attendants who start a successful side gig as pimps. There's a joke to be made here about stiffs, but I'll leave it alone. Night Shift is set in New York when it still had that 80's scuzz, that element of danger. The movie opens with a murder, which were more commonplace then. It's not a laugh a minute, but cruises by nicely with its gonzo premise and a cast that seem… more

📀 Cammmalot 📀 (3.5★) · 71 likes

Cinematic Time Capsule1982 Marathon - Film #78 ”This is a morgue… you’re partying in a morgue” When newly paired odd-couple Henry Winkler and Michael Keaton find themselves paired up on a morgue’s mellow night shift they stumble upon the perfect side-hustle… “Loooove Brokers!” Ron Howard’s first major Hollywood directing job is the kind of lighthearted sex comedy that you find yourself rooting for, while at the same time wishing it was just a little bit better. BONUS POINTS for… more

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Topics

buddy comedy, sex comedy, urban comedy, gritty New York, workplace farce, odd-couple, 1980s, raunchy, underdog ambition, crime-adjacent comedy

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