Pretty Baby (1978)

Movie · 1978 · Drama · 1h 50m · R · English

Curator score: 1.5/10 (32.6K ratings)

The image of an adult world seen through a child's eyes.

Overview

In 1917 New Orleans, a 12-year-old girl is raised in a brothel by her prostitute mother.

Ratings

Director

Louis Malle

Production

Paramount Pictures

Cast

Brooke Shields, Keith Carradine, Susan Sarandon, Frances Faye, Antonio Fargas, Matthew Anton, Diana Scarwid, Barbara Steele, Gerrit Graham, Don Hood, Seret Scott, Cheryl Markowitz, Susan Manskey, Laura Zimmerman, Miz Mary, Mae Mercer, Pat Perkins, Von Eric Thomas, Sasha Holliday, Lisa Shames

Curator Review

Verdict

A technically polished but deeply troubling drama whose subject matter and production context make it hard to recommend. Its historical setting and visual craft are notable, but the film’s exploitation of a child performer overwhelms any artistic value for most viewers.

Best for

  • film scholars studying controversial 1970s cinema
  • viewers specifically researching the history of censorship and exploitation in film
  • people interested in Louis Malle’s body of work and willing to engage critically

Skip if

  • you want a comfortable or entertaining watch
  • you are sensitive to sexual exploitation or child abuse themes
  • you prefer films whose artistic ambition is not inseparable from ethical harm

Overview

Pretty Baby is one of those films where the conversation around it is inseparable from the film itself. Set in a brothel in 1917 New Orleans, it presents a world of faded elegance, sexual commerce, and social rot with undeniable period detail and strong craft, but the premise is so morally corrosive that the movie becomes almost impossible to experience on its own terms.

Worth noting

Louis Malle stages it with a cool, observational eye, and the production design and cinematography give it a seductive surface. That surface is exactly the problem: the film’s attempt at social realism crosses into exploitation, and the presence of a child actor in such material makes the whole enterprise feel ethically compromised rather than merely provocative.

Bottom line

For viewers approaching it as a historical artifact, it can be discussed as a marker of what 1970s prestige cinema was willing to excuse in the name of seriousness. For everyone else, the discomfort is not incidental but central, and it is hard to argue that the movie earns the distress it causes.

Top Letterboxd reviews

Jamie Lauren Keiles (3★) · 1392 likes

the minute you finally take this off your watchlist they add you to a registry

Sophie Overett (0.5★) · 1091 likes

For this movie to be made, Brooke Shields had to be failed by everyone in her life.

Agos (0.5★) · 1018 likes

Fuck Hollywood for sexualising minors

Final Girl · 550 likes

To all the men rating this with 3 or more stars… I’m watching you.

rhys (0.5★) · 401 likes

Here is a quote from Araki I consider when reviewing movies similar to Pretty Baby: “We didn’t want to make a movie about childhood trauma and then traumatize the children in the process” Which is exactly what Malle did. Brooke Shields was depicted in many sexual and highly-exploitative scenes whilst being ages 11-12 during filming. Which include but are not limited to: her playing a child prostitute, attempting to seduce men into bed, andauctioning off her virginity.. I genuinely… more

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Topics

period drama, 1970s cinema, controversial film, sexual exploitation, moral ambiguity, New Orleans, social decay, art-house drama, historical setting

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