Movie · 2022 · Animation, Drama, Adventure, Fantasy · 2h 2m · PG · Japanese
Curator score: 7.6/10 (464.8K ratings)
On the other side of the door, was time in its entirety.
Overview
Suzume, 17, lost her mother as a little girl. On her way to school, she meets a mysterious young man. But her curiosity unleashes a calamity that endangers the entire population of Japan, and so Suzume embarks on a journey to set things right.
Nanoka Hara, Hokuto Matsumura, Eri Fukatsu, Shota Sometani, Sairi Ito, Kotone Hanase, Kana Hanazawa, Matsumoto Hakuō II, Ryunosuke Kamiki, Ann Yamane, Akari Miura, Yoji Ueda, Aimi, Yuu Ayase, Akihiro Tajima, Ryoko Nagata, Shinnosuke Imazu, Kyo Yaoya, Hinano Harumi, Nanae Sumitomo
Where to watch
Netflix, Crunchyroll, Netflix Standard with Ads
Curator Review
Verdict
A sweeping, emotionally resonant disaster-fantasy that blends road-movie adventure with grief, memory, and national trauma. It’s uneven in places, but the visual imagination, heartfelt momentum, and big-screen scale make it an easy recommendation for fans of lyrical animation and apocalyptic wonder.
Best for
Viewers who like emotionally charged animated adventures
Fans of disaster stories with a supernatural twist
People drawn to coming-of-age journeys about grief and healing
Audiences who enjoy vivid, large-scale theatrical animation
Skip if
You want a tightly plotted story with minimal digressions
You dislike heightened melodrama or symbolic storytelling
You’re looking for a purely lighthearted fantasy
You prefer animation that stays small-scale and intimate
Overview
Suzume is Makoto Shinkai working in a more outward-facing mode: less about private longing than about how personal loss echoes through landscapes, communities, and history. The film turns a simple quest into a travelogue of damaged places and buried memories, with disaster imagery that feels both spectacular and mournful. It’s a movie of doors, thresholds, and the emotional weight of what gets left behind.
Worth noting
What makes it land is the sincerity. Even when the story gets crowded or a little overextended, the movie keeps returning to a clear emotional core: a teenager learning how to move forward without erasing the past. The animation is lush, the movement dynamic, and the sense of scale genuinely cinematic, especially in sequences that make ordinary spaces feel haunted by catastrophe.
Bottom line
It also has a playful streak that keeps the melancholy from becoming oppressive. The humor, the road-trip energy, and the oddball companion dynamics give the film momentum, even if some viewers may find the mythology a bit overloaded. For audiences open to big feelings and symbolic storytelling, it’s one of the more memorable modern animated features of its kind.
Top Letterboxd reviews
fabledfolklore (3.5★) · 8027 likes
would you still love me if i were a chair? 🥺
James (Schaffrillas) (3.5★) · 7575 likes
Suzume runtime: 123 minutes
Suzume runtime if the cat wasn't a little shit: 10 minutes
phil (4★) · 4082 likes
i think Serizawa is more than just Souta's friend
cozy (4★) · 3991 likes
"that time i got reincarnated as a chair and my crush sat on me"
coffee (3.5★) · 3984 likes
you’d think that after like two hours of it being the main bit of the movie that the three legged chair sprinting and doing parkour would stop being funny but i’m here to tell you it absolutely does not