The Dreamers (2003)

Movie · 2003 · Drama, Romance · 1h 55m · NC-17 · English

Curator score: 3.5/10 (144.2K ratings)

Together nothing is impossible. Together nothing is forbidden.

Overview

When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.

Ratings

Director

Bernardo Bertolucci

Production

Recorded Picture Company, Fiction, Peninsula Films, HanWay Films, Fox Searchlight Pictures, Medusa Film

Cast

Michael Pitt, Eva Green, Louis Garrel, Anna Chancellor, Robin Renucci, Jean-Pierre Kalfon, Jean-Pierre Léaud, Florian Cadiou, Pierre Hancisse, Valentin Merlet, Lola Peploe, Ingy Fillion

Curator Review

Verdict

A lush, provocative, and very cinephile-specific coming-of-age drama with strong atmosphere and memorable performances, but it’s also deliberately indulgent, emotionally slippery, and likely to alienate viewers who are put off by its incestuous undertones and self-conscious eroticism.

Best for

  • Viewers who like sensual, art-house European drama
  • People interested in 1960s Paris, student politics, and cinephile references
  • Fans of boundary-pushing relationship dramas
  • Audiences who enjoy films that are more mood and provocation than plot

Skip if

  • You’re uncomfortable with incest themes or sexualized family dynamics
  • You want a tightly structured or emotionally straightforward story
  • You dislike characters who are privileged, self-absorbed, or intentionally annoying
  • You prefer restraint over explicit eroticism and provocation

Overview

Bernardo Bertolucci turns a Paris apartment into a pressure cooker of desire, politics, and movie obsession. The result is seductive and visually elegant, with a strong sense of youth suspended between fantasy and historical upheaval. Michael Pitt, Eva Green, and Louis Garrel make the triangle feel charged even when the film is more interested in atmosphere than narrative momentum.

Worth noting

What makes it memorable is also what makes it divisive: the film is brazen about taboo, flirtation, and emotional immaturity, and it often feels like a private game played by beautiful people who know exactly how cinematic they are. If you respond to that kind of self-aware art-house excess, it can feel intoxicating.

Bottom line

If you need clear moral distance, a cleaner emotional arc, or a less provocative treatment of intimacy, this will probably be a hard pass. But for viewers drawn to erotic European cinema with a strong period texture and a feverish, rebellious mood, it remains a notable watch.

Top Letterboxd reviews

lucas (4★) · 11022 likes

i wish it was gayer

gustavo (4.5★) · 6576 likes

imagine if they had a tumblr

Wes (4.5★) · 6145 likes

so french i was inhaling the secondhand smoke from the screen so of course the rating is this high

Spotless (4★) · 5806 likes

Since when cinephiles have that much sex

ev ✿ (2★) · 4677 likes

would be so much better without the incest theme throughout

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Topics

erotic drama, art-house, coming-of-age, taboo romance, 1960s, Paris, cinephile culture, political unrest, sensual, provocative

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