The Informant! (2009)

Movie · 2009 · Drama, Comedy, Crime · 1h 48m · R · English

Curator score: 4.7/10 (70.7K ratings)

Based on a tattle-tale

Overview

A rising star at agri-industry giant Archer Daniels Midland (ADM), Mark Whitacre suddenly turns whistleblower. Even as he exposes his company’s multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion.

Ratings

Director

Steven Soderbergh

Production

Warner Bros. Pictures, Participant, Groundswell Productions, Section Eight, Jaffe/Braunstein Enterprise

Cast

Matt Damon, Scott Bakula, Joel McHale, Melanie Lynskey, Tom Papa, Rick Overton, Thomas F. Wilson, Clancy Brown, Tony Hale, Richard Steven Horvitz, Ann Cusack, Allan Havey, Rusty Schwimmer, Lucas McHugh Carroll, Eddie Jemison, Craig Ricci Shaynak, Scott Adsit, Ann Dowd, Howie Johnson, Nick Craig

Curator Review

Verdict

A sharp, off-kilter corporate-crime comedy that turns a real whistleblower scandal into a study of self-delusion, paranoia, and absurd bureaucracy. It’s especially rewarding if you like deadpan narration, tonal weirdness, and films that are funny right up until they become unsettling.

Best for

  • Viewers who enjoy dark comedies with a true-crime backbone
  • Fans of unreliable narrators and psychological unraveling
  • People who like corporate satire and antihero stories
  • Soderbergh admirers looking for one of his strangest mainstream films

Skip if

  • You want a straightforward whistleblower drama
  • You dislike tonal shifts between comedy and tragedy
  • You prefer clear, emotionally grounded protagonists
  • You need fast, conventional plotting

Overview

The Informant! is one of those movies that seems to be operating on a frequency all its own. What begins as a corporate whistleblower story gradually reveals itself as a comedy of self-mythology, where the central mystery is not just the fraud at ADM but the bizarre, slippery mind of Mark Whitacre. The film’s voiceover is a major part of the joke and the unease: it keeps promising clarity while making everything more suspicious.

Worth noting

Steven Soderbergh plays the material with a light touch that only makes the absurdity sharper. Matt Damon is excellent as a man who wants to be seen as heroic, competent, and morally upright even as every choice he makes undercuts that image. The result is funny in a dry, almost clinical way, but it also lands as a sad portrait of a person who may not fully understand himself.

Bottom line

It won’t work for everyone, especially if you expect a standard investigative thriller. But if you’re open to a movie that treats corporate malfeasance like a fever dream of office politics, bad instincts, and increasingly ridiculous lies, it’s a very memorable watch.

Top Letterboxd reviews

Patrick Willems (4★) · 784 likes

The best voiceover narration in cinema history.

theshrillest (3.5★) · 567 likes

in pop culture, sociopathy is presented as a kind of superpower, always coupled with superior intelligence, animal cunning and razor-sharp instincts. The Informant! dares to ask: what if someone was a sociopath but also kind of a dim bulb?

Will Menaker (3.5★) · 402 likes

This is a true story of a guy who blew the whistle on Archer Daniels Midland and a massive corn syrup price fixing cartel, he was also a manic bipolar liar and corporate criminal. Doubly interesting because it's about an unhinged fabulist and is based on a book by Kurt Eichenwald, who is also an unstable lunatic and liar. He should have been a character in the movie.

Greta T. Narrator (5★) · 310 likes

God knows how many watches in, this became even more of a tragedy upon realizing that all the narration is little dissociative episodes whenever Mark doesn't want to think about what he's doing or saying. Forget that the movie's still funny after multiple watches, that the movie's still funny even with full awareness of how crushingly sad it is might be its biggest accomplishment.

matt lynch (3.5★) · 247 likes

"The birds eat the bugs, the cars eat the birds, the rust eats the cars, and the new construction eats the rust."

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Topics

dark comedy, corporate satire, true crime, unreliable narrator, psychological drama, bureaucratic absurdity, antihero, 2000s cinema, deadpan humor, crime caper

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