The Last Duel (2021)

Movie · 2021 · History, Drama, Action, Thriller · 2h 33m · R · English

Curator score: 6.4/10 (550.5K ratings)

The true story of a woman who defied a nation and made history.

Overview

King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel.

Ratings

Director

Ridley Scott

Production

20th Century Studios, Pearl Street Films, Scott Free Productions

Cast

Matt Damon, Adam Driver, Jodie Comer, Ben Affleck, Harriet Walter, Marton Csokas, Alex Lawther, William Houston, Oliver Cotton, Željko Ivanek, Nathaniel Parker, Tallulah Haddon, Aurélien Lorgnier, Bryony Hannah, Thomas Silberstein, Adam Goodwin, Ian Pirie, Daniel Horn, Michael McElhatton, Sam Hazeldine

Where to watch

Hulu, fuboTV, Paramount Plus Premium, Paramount Plus Essential

Curator Review

Verdict

A grim, muscular medieval drama that uses a trial-by-combat premise to expose power, misogyny, and the unreliability of male honor. It’s long and austere, but the structure, performances, and final perspective make it a sharp, memorable watch.

Best for

  • historical dramas with moral bite
  • Rashomon-style storytelling
  • adult viewers who like bleak, serious period pieces
  • fans of courtroom or accusation narratives
  • viewers interested in gender politics and power dynamics

Skip if

  • you want a fast, breezy sword-and-sandals adventure
  • you dislike repetition or chaptered storytelling
  • you prefer heroic medieval epics over cynical ones
  • you’re looking for a light action film
  • you’re sensitive to sexual violence and coercive power dynamics

Overview

Ridley Scott turns a medieval grievance into a bruising anatomy of ego, status, and violence. The repeated-accounts structure is less a gimmick than the film’s engine: each version reveals how men edit reality to preserve their self-image, while the woman at the center is forced to navigate a system designed to ignore her.

Worth noting

The movie is at its strongest when it leans into institutional cruelty and the absurdity of “honor” as a legal solution to abuse. It can feel heavy and methodical, and the first two sections deliberately replay familiar beats, but that accumulation pays off in the final perspective, which gives the story its moral force.

Bottom line

Performances are a major draw, especially Jodie Comer, who carries the film’s emotional and ethical weight. This is not a crowd-pleasing historical epic; it’s a severe, intelligent one, and the brutality is meant to sting rather than thrill. If you want a prestige period drama with teeth, it lands hard.

Top Letterboxd reviews

matt lynch (4★) · 5701 likes

"How doth ye like yon apples?!"

davidehrlich (3.5★) · 4979 likes

Boston was *wild* in the 1300s.

Taylor Williams (4★) · 4780 likes

The most daring lack of commitment to accents in ages

valfoy (5★) · 3952 likes

"She never married again". Good for her.

Patrick Willems (4.5★) · 3256 likes

No one does this shit better than Ridley

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Topics

historical drama, Rashomon structure, medieval, prestige drama, dark tone, legal dispute, gender politics, violence, period piece, epic

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