The Last Temptation of Christ (1988)

Movie · 1988 · Drama · 2h 44m · R · English

Curator score: 8.1/10 (191.8K ratings)

Overview

Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.

Ratings

Director

Martin Scorsese

Production

Universal Pictures, Cineplex-Odeon Films

Cast

Willem Dafoe, Harvey Keitel, Paul Greco, Steve Shill, Verna Bloom, Barbara Hershey, Roberts Blossom, Barry Miller, Gary Basaraba, Irvin Kershner, Victor Argo, Michael Been, Paul Herman, John Lurie, Leo Burmester, Andre Gregory, Peggy Gormley, Randy Danson, Robert Spafford, Doris von Thury

Curator Review

Verdict

A provocative, serious-minded biblical drama that treats faith as a lived crisis rather than a stained-glass certainty. Scorsese’s direction, Dafoe’s vulnerable performance, and the film’s willingness to wrestle with doubt, desire, and sacrifice make it one of the most distinctive religious films ever made.

Best for

  • Viewers interested in challenging religious cinema
  • Fans of psychological character studies
  • People who like intense, adult historical drama
  • Scorsese completists
  • Audiences open to controversial reinterpretations of scripture

Skip if

  • You want a reverent or devotional Jesus film
  • You dislike theological debate and spiritual ambiguity
  • You prefer straightforward historical epics
  • You are sensitive to blasphemous or iconoclastic material

Overview

Martin Scorsese turns a biblical story into a feverish interior drama, less concerned with pageantry than with the agony of belief. The film imagines Jesus as a man torn between divine calling, human fear, and the temptation to live an ordinary life, which gives the story an unusual emotional voltage.

Worth noting

Willem Dafoe’s performance is the anchor: tender, frightened, stubborn, and physically present in a way that makes the spiritual stakes feel immediate. Harvey Keitel’s Judas and the film’s rough, earthy texture push it away from sanctimony and toward a messy, human struggle over violence, duty, and salvation.

Bottom line

It remains controversial because it refuses easy piety, but that’s also what makes it endure. This is a film about faith under pressure, and about the cost of imagining holiness as something lived by a person rather than symbolized by an icon.

Top Letterboxd reviews

siobhan (3.5★) · 4420 likes

convinced that willem dafoe as jesus, david bowie as pontius pilate, and harvey keitel as judas with a new york accent shouting “whaddaya doin building crosses?” is historically accurate and that this was not a fiction but a documentary

Karsten (4.5★) · 2548 likes

I worship Paul Schrader, even though Paul Schrader has made it clear in multiple films that I shouldn’t worship Paul Schrader.

annabelle (3.5★) · 2486 likes

harvey keitel as judas be like eeeyyyyyy jesus i’m prayin here now kiss me square on the mouth you sonofabitch

Wesley R. Ball (5★) · 2042 likes

Before I begin, I would like everyone to understand that I grew up in a strictly Christian background (which I am thankful for and still adhere to). So when I speak about my beliefs, I'm not attempting to generalize everyone in the same boat as I am, religiously speaking, but rather I am trying explain the environment and beliefs that I personally was raised on (which, again, I still stick to and am eternally grateful for). I avoided Martin Scorsese's… more

Jake Cole (5★) · 1905 likes

Ironically, it is this mortal treatment of Jesus as a man that makes me more willing to think of him as a divine figure than the purified Gospels.

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Topics

biblical drama, religious cinema, psychological drama, historical drama, spiritual crisis, controversial, intense, 1980s, character study, art-house

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