The Producers (1968)

Movie · 1968 · Comedy · 1h 29m · PG · English

Curator score: 8.2/10 (146.5K ratings)

Hollywood Never Faced a Zanier Zero Hour!

Overview

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

Ratings

Director

Mel Brooks

Production

Crossbow Productions, Springtime Productions, U-M Productions, AVCO Embassy Pictures

Cast

Zero Mostel, Gene Wilder, Dick Shawn, Kenneth Mars, Estelle Winwood, Christopher Hewett, Andréas Voutsinas, Lee Meredith, Renée Taylor, Michael Davis, John Zoller, Madlyn Cates, Frank Campanella, Arthur Rubin, Zale Kessler, Bernie Allen, Rusty Blitz, Anthony Gardell, Mary Love, Amelie Barleon

Curator Review

Verdict

A sharp, outrageous Broadway farce that turns greed, failure, and Nazi imagery into one of comedy’s great taboo-busting setups. It’s uneven in places, but the comic timing, performances, and sheer audacity make it a landmark satire.

Best for

  • fans of dark satire and taboo comedy
  • viewers who like stagey, dialogue-driven farce
  • people who enjoy big, theatrical performances
  • fans of Mel Brooks and Gene Wilder
  • classic comedy viewers open to very broad humor

Skip if

  • you dislike jokes built on Nazi imagery and offensive provocation
  • you prefer subtle or naturalistic comedy
  • you need a tightly paced film with modern rhythms
  • you are sensitive to campy, exaggerated performance styles

Overview

The Producers is one of those comedies that feels like it’s daring you to laugh, then keeps escalating until you can’t help it. The premise is pure con-man absurdity: make a flop on purpose, pocket the money, and hope nobody notices. Mel Brooks pushes that idea into gloriously tasteless territory, and the result is a film that still feels bracingly unruly.

Worth noting

What gives it staying power is the chemistry between Zero Mostel and Gene Wilder. Mostel is all bluster and appetite, Wilder all nerves and panic, and their mismatch generates the film’s best rhythms. The movie can be shaggy and a little repetitive, but its comic set pieces are so memorable that the rough edges become part of the charm.

Bottom line

It’s also a key bridge between old Broadway-style comedy and the more aggressive parody sensibility that would define Brooks’s later work. If you like your classics loud, shameless, and just a little dangerous, this is essential viewing.

Top Letterboxd reviews

tru · 1971 likes

"I'M IN PAIN AND I'M HYSTERICAL AND I'M WET!" Rest in peace Gene Wilder, you were the man.

megan (4★) · 1608 likes

don't be stupid, be a smarty. come and join the nazi party

amaya (4★) · 1028 likes

SHUT UP!!! I'M HAVING A RHETORICAL CONVERSATION!!!

Tori 🐛 · 990 likes

This happened to my buddy Lin-Manuel

nora (3★) · 656 likes

outside i look fine, but just know that internally i am gene wilder shrieking about how he’s getting hysterical and needs his blanket

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Topics

dark comedy, satire, farce, showbiz, Broadway, taboo humor, 1960s, anti-fascist, ensemble comedy, stage adaptation

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