The Trouble with Harry (1955)

Movie · 1955 · Comedy, Mystery · 1h 39m · PG · English

Curator score: 5.3/10 (84.9K ratings)

A different kind of kick-the-bucket comedy!

Overview

The trouble with Harry is that he’s dead. In a quiet Vermont village, a corpse creates unexpected chaos as several townspeople each believe they may be to blame.

Ratings

Director

Alfred Hitchcock

Production

Alfred J. Hitchcock Productions

Cast

John Forsythe, Shirley MacLaine, Edmund Gwenn, Mildred Natwick, Mildred Dunnock, Jerry Mathers, Royal Dano, Parker Fennelly, Barry Macollum, Dwight Marfield, Leslie Woolf, Philip Truex, Ernest Curt Bach, Alfred Hitchcock

Curator Review

Verdict

A charmingly offbeat Hitchcock detour: more mild-mannered black comedy than suspense machine, with gorgeous autumnal Vermont visuals and a deadpan sense of absurdity. It’s worth watching if you enjoy elegant, lightly macabre comedies, but some viewers may find the pace too gentle for the premise.

Best for

  • Hitchcock completists
  • fans of dry black comedy
  • viewers who like small-town eccentricity
  • people drawn to autumnal atmosphere and classic studio craftsmanship

Skip if

  • you want Hitchcock at maximum suspense
  • you prefer fast-paced plotting
  • you need the premise pushed into full farce
  • you dislike quiet, mannered 1950s comedies

Overview

The Trouble with Harry is one of Hitchcock’s strangest gambles: a corpse in the woods, a village full of suspects, and almost no interest in conventional suspense. Instead of tightening the screws, Hitchcock lets the film drift through polite conversation, deadpan reactions, and a surprisingly cozy New England mood. The result is less a thriller than a comic pastoral with a body problem.

Worth noting

What lingers most is the look of it: crisp autumn colors, carefully composed frames, and a sense that the whole town is slightly out of step with reality. The humor is sly rather than explosive, and the film’s refusal to behave like a standard mystery is part of its appeal. It can feel underpowered if you come expecting a sharper black-comedy payoff, but the oddball tone is exactly what makes it memorable.

Bottom line

This is a minor Hitchcock for some, but a very distinctive one. It’s best approached as a tonal experiment: elegant, dry, and faintly mischievous, with Shirley MacLaine making an auspicious screen debut and the director clearly enjoying the chance to play against expectation.

Top Letterboxd reviews

Karsten (3.5★) · 800 likes

hitchcock, but silly

Josh Lewis (3★) · 427 likes

not sure he mines the darkly funny premise to its fullest potential (the whole thing is just a bit too quiet and warm considering almost every character thinks they've murdered someone) but it's a gorgeously made little comedy from hitchcock with beautiful new england autumn colors.

Two Cineasts (4★) · 333 likes

"You're not supposed to burry bodies whenever you find them. It makes people suspicious."(John Forsythe as Sam Marlowe) SHIRLEY MACLAINES DEBUT IN HITCHCOCKS NEARLY ONLY PURE COMEDY

Bilge Ebiri (4★) · 229 likes

Had forgotten how utterly gorgeous this one is. If Hitchcock’s name weren’t on it, I wonder if it would now be considered some kind of bizarro cult classic. The pleasant Vermont setting crossed with all the philosophical rumination and the absurdist storyline certainly feels like a thing.

Ethan Colburn (2.5★) · 212 likes

Thank you Something Someone for the recommendation!! (Please vote in his Hitchcock Tournament if you have a moment) This is Hitchcock out of his element. No blondes, no stars, and no suspense. I appreciate him trying something new, but the film doesn’t come together. It has ideas but it ultimately the plot isn’t quite enough to carry and tie them together. The character’s lack of care for the body adds the odd chuckle here and there, but ultimately it feels like no… more

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Topics

black comedy, mystery comedy, absurdist, small town, autumn atmosphere, deadpan humor, 1950s cinema, macabre, pastoral, classic Hollywood

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