Viridiana (1962)

Movie · 1962 · Drama · 1h 30m · Spanish

Curator score: 9.0/10 (47K ratings)

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Overview

Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.

Ratings

Director

Luis Buñuel

Production

Unión Industrial Cinematográfica, Films 59, Producciones Gustavo Alatriste

Cast

Silvia Pinal, Francisco Rabal, Fernando Rey, José Calvo, Margarita Lozano, Victoria Zinny, Teresa Rabal, Luis Heredia, Joaquín Roa, José Manuel Martín, Lola Gaos, Juan García Tiendra, Sergio Mendizábal, María Isbert, Claudio Brook, Narciso Ojeda, José María Lado, Rosita Yarza

Where to watch

Darkroom

Curator Review

Verdict

A savage, formally elegant attack on religious hypocrisy, class privilege, and self-righteous virtue. Viridiana is provocative, funny, and cruel in equal measure, with Buñuel turning a pious premise into one of cinema’s sharpest moral nightmares.

Best for

  • Viewers who like satirical, anti-clerical cinema
  • Fans of surrealist or allegorical drama
  • People interested in classic European art cinema
  • Audiences drawn to films about faith, guilt, and hypocrisy

Skip if

  • You want a straightforward religious drama
  • You prefer emotionally reassuring or redemptive stories
  • You dislike irony, blasphemous provocation, or moral ambiguity
  • You need fast pacing or conventional plot resolution

Overview

Viridiana is one of Buñuel’s most ruthless films, and that ruthlessness is the point. It begins with the language of sanctity and charity, then steadily exposes how fragile those ideals become when they collide with desire, power, and social reality. The result is less a story about a fallen novice than a demolition of moral vanity itself.

Worth noting

What makes it endure is the precision of the filmmaking. Buñuel stages each turn with a dry, almost mischievous calm, so the shocks land harder and the satire cuts deeper. The film’s famous provocations are not just scandal for scandal’s sake; they are part of a larger attack on institutions that mistake appearances for virtue.

Bottom line

It’s a challenging watch, but also a rewarding one if you like cinema that argues with you. Beneath the outrage is a bleakly comic sense of human weakness, and a director who understands that hypocrisy often wears the face of goodness.

Top Letterboxd reviews

Scumbalina (5★) · 1263 likes

Viridiana isn't a good person. She's barely a person. She may seem virtuous and humble but at the core there's a self-righteousness that's prideful and disgusting. Bunuel was a known Anti-Catholic. It's not in the subtext but in the overtures. At the surface, Viridiana is about a nun falling from the grace of God, but it's the characters around her who are pure. While Viridiana is busy isolating her thoughts, human animals are living in God's image. Unnecessary Shame compels… more Viridiana isn't a good person. She's barely a person. She may seem virtuous and humble but at the core there's a self-righteousness that's prideful and disgusting. Bunuel was a known Anti-Catholic. It's not in the subtext but in the overtures. At the surface, Viridiana is about a nun falling from the grace of God, but it's the characters around her who are pure. While Viridiana is busy isolating her thoughts, human animals are living in God's image. Unnecessary Shame compels… more

dan (4★) · 529 likes

i think he don't really like the rich and religion i'm not sure

ScreeningNotes (5★) · 441 likes

Catching Up with Buñuel "I went through a great shock, I am only trying to recover." Such a deeply cynical film that you can feel Buñuel's hatred for the fascist Franco dictatorship in the very texture of every frame. The world itself is a test of Viridiana's faith, continually confronting her with the darkest depths of humanity's sinful depravity, rewarding her conviction with nothing but more hardship, asking at every turn, "What about now? Do you still believe?" How is… more

Edgar Cochran ✝️🍋 (5★) · 285 likes

***One of the best 150 films I have ever seen.*** SPANISH REVIEW: Ser un personal admirador de Luis Buñuel conlleva, de alguna manera, demasiada responsabilidad en cuanto a admiración artística y estética se refiere. Prohibida en España y totalmente denunciada por el Vaticano, Viridiana es una de las mejores películas española de todos los tiempos, una coproducción escandalosa con México que alude al despertar del espiritualismo del ser humano y referencia las emociones más controversiales que una persona, independientemente de… more

Edwin 🦦 (4.5★) · 232 likes

It’s really no surprise that Viridiana was banned in Spain and denounced by the Vatican when it first premiered. Luis Buñuel was never shy about his anti-Catholic views, and this movie feels like a direct confrontation with the institution. He builds a world where faith is constantly tested in uncomfortable ways. You can feel how deeply he questions the idea of moral purity, especially when it’s placed into a world that doesn’t operate on fairness or grace. It’s challenging religion… more It’s really no surprise that Viridiana was banned in Spain and denounced by the Vatican when it first premiered. Luis Buñuel was never shy about his anti-Catholic views, and this movie feels like a direct confrontation with the institution. He builds a world where faith is constantly tested in uncomfortable ways. You can feel how deeply he questions the idea of moral purity, especially when it’s placed into a world that doesn’t operate on fairness or grace. It’s challenging religion… more

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Topics

art-house, satire, surrealism, anti-clerical, black comedy, moral ambiguity, class tension, Spanish cinema, 1960s, provocative

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