Arsenic and Old Lace (1944)

Movie · 1944 · Comedy, Crime · 1h 58m · NR · English

Curator score: 8.3/10 (141.4K ratings)

She Passed Out On Cary! No Wonder . . . She's just discovered his favorite aunts have poisoned their 13th gentleman friend!

Overview

Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!

Ratings

Director

Frank Capra

Production

Warner Bros. Pictures

Cast

Cary Grant, Priscilla Lane, Josephine Hull, Jean Adair, Raymond Massey, John Alexander, Peter Lorre, Jack Carson, Edward Everett Horton, James Gleason, Grant Mitchell, Edward McNamara, Garry Owen, John Ridgely, Vaughan Glaser, Chester Clute, Charles Lane, Edward McWade, Hank Mann, Spencer Charters

Where to watch

TCM

Curator Review

Verdict

A brisk, macabre farce that turns murder into screwball chaos, powered by Cary Grant’s escalating panic and a wonderfully deadpan supporting cast. Its stagebound setup is part of the charm, and the jokes still land if you enjoy old Hollywood wit with a dark streak.

Best for

  • Classic comedy fans
  • Viewers who like dark humor and crime capers
  • Cary Grant admirers
  • Fans of theatrical, dialogue-driven farce
  • People who enjoy black comedy with a vintage feel

Skip if

  • You want realistic crime drama
  • You dislike stagey, dialogue-heavy comedies
  • Dark jokes about death and murder put you off
  • You prefer fast-cut modern pacing over classic studio-era timing

Overview

Arsenic and Old Lace is one of Hollywood’s great examples of taking a wildly unhinged premise and playing it with immaculate comic control. Frank Capra keeps the machinery moving, but the real pleasure is watching Cary Grant spiral from polished leading man into a man trying to survive his own family’s secrets without losing his mind.

Worth noting

The film’s humor comes from contrast: cheerful domesticity against serial murder, civic respectability against lunacy, and Grant’s increasingly expressive face against the aunts’ calm, murderous hospitality. It’s very much a product of its era, with a theatrical, talky rhythm, but that also gives the jokes room to breathe and build.

Bottom line

If you like black comedy that stays light on its feet, this is a delight. It’s less about suspense than about timing, performance, and the absurdity of trying to keep a straight face while everything collapses around you.

Top Letterboxd reviews

eely (4.5★) · 2161 likes

cary grant shows all seven stages of grief on his face in the span of 60 seconds and can do more with his left eyebrow than every actor in hollywood put together

sarah (4★) · 1801 likes

BUT DARLING, NIAGARA FALLS IT DOES? WELL LET IT

mia lee vicino (3.5★) · 1223 likes

me in 1944 when i try to distract myself from the horrors of WWII by going to the local Cinema to see the latest Cary Grant Picture and realize it’s about how Women Be Poisoning: gee ........... hope this doesn’t ..... awaken anything in me ...........

lucy (4★) · 1073 likes

i never knew cary grant had so many facial expressions

Erin 🍺 (4★) · 1050 likes

The part when Cary Grant stops to smoke a cigarette and bitch to himself amid all the chaos is me

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Topics

black comedy, farce, screwball, crime comedy, stage adaptation, 1940s Hollywood, murder, family dysfunction, madcap, classic studio era

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