Cabaret (1972)

Movie · 1972 · Music, Romance, Drama · 2h 4m · PG · English

Curator score: 8.9/10 (223K ratings)

Life is a Cabaret.

Overview

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

Ratings

Director

Bob Fosse

Production

Allied Artists Pictures, ABC Pictures, Bavaria Film

Cast

Liza Minnelli, Michael York, Helmut Griem, Joel Grey, Fritz Wepper, Marisa Berenson, Elisabeth Neumann-Viertel, Helen Vita, Sigrid von Richthofen, Gerd Vespermann, Ralf Wolter, Georg Hartmann, Ricky Renée, Estrongo Nachama, Kathryn Doby, Inge Jaeger, Angelika Koch, Helen Velkovorska, Gitta Schmidt, Louise Quick

Curator Review

Verdict

A dazzling, corrosive musical that turns decadence into dread, Cabaret is both a showpiece of performance and a chilling political warning. Its style, songs, and performances are iconic, but the film’s real power is how it lets the party keep going while history closes in.

Best for

  • musical fans who like darker, adult-oriented storytelling
  • viewers interested in pre-war Europe and political allegory
  • fans of bold visual style and performance-driven filmmaking
  • people who enjoy glamorous films with an unsettling edge

Skip if

  • you want a feel-good musical with a clean emotional payoff
  • you dislike theatricality or stylized direction
  • you prefer stories that stay light and romantic
  • you are looking for a straightforward historical drama

Overview

Cabaret is one of the great examples of a musical becoming something stranger, sharper, and more dangerous than pure entertainment. Bob Fosse stages the Kit Kat Club as a fever dream: seductive, ironic, and always just a little rotten at the edges. The songs are unforgettable, but they land differently because the film keeps reminding you that the world outside the club is turning brutal.

Worth noting

Liza Minnelli gives the movie its electric center, all nerve and appetite and self-invention, while the supporting triangle gives the story its emotional instability. What makes the film endure is the way it balances glamour and collapse without softening either one. The performances are playful, but the atmosphere is increasingly suffocating.

Bottom line

It remains a masterclass in using style as argument. The film’s wit, choreography, and visual control are not decoration; they are the mechanism by which denial becomes visible. By the end, Cabaret feels less like a period piece than a warning about how easily people can dance past the edge of the abyss.

Top Letterboxd reviews

alyssa (4.5★) · 9310 likes

he really said "so do i" just like that.... i was shook for the rest of the movie

👽 Zara 👽 (4★) · 6017 likes

i'm surprised dancing on top of those chairs didn't cause her vertigo to start up

sophie (3.5★) · 5443 likes

"screw maximillian" "..i do" "...so do i..." oh... oh!

hannah (4★) · 5206 likes

the beer garden scene is seriously one of the creepiest scenes ever committed to film

demi adejuyigbe · 4250 likes

The music here is untouchable, as is Fosse's psychotic low-angle direction that makes the Kit Kat Club feel like a never-ending bad dream. Made me think "wow, Berlin seems like it was really scary back then." Then the Nazi stuff kicks in and I was like "oh right right right."

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Topics

musical drama, political allegory, Berlin, pre-war Europe, decadence, cabaret nightlife, dark romance, satire, stylized choreography, fascism

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