Crimes and Misdemeanors (1989)

Movie · 1989 · Comedy, Drama, Crime · 1h 44m · PG-13 · English

Curator score: 8.5/10 (118.5K ratings)

It's about love and reality. Faith and delusion. Good and evil. Success and failure.

Overview

A renowned ophthalmologist is desperate to cut off an adulterous relationship…which ends up in murder; and a frustrated documentary filmmaker woos an attractive television producer while making a film about her insufferably self-centered boss.

Ratings

Director

Woody Allen

Production

Orion Pictures, Jack Rollins & Charles H. Joffe Productions

Cast

Woody Allen, Martin Landau, Mia Farrow, Alan Alda, Anjelica Huston, Joanna Gleason, Sam Waterston, Jerry Orbach, Jenny Nichols, Caroline Aaron, Daryl Hannah, Bill Bernstein, Claire Bloom, Stephanie Roth Haberle, Gregg Edelman, George J. Manos, Dolores Sutton, Donna Castellano, Joel Fogel, Thomas Crowe

Curator Review

Verdict

A sharp, morally thorny blend of comedy and tragedy, anchored by one of Woody Allen’s most accomplished screenplays and a devastating central performance. It’s funny, unsettling, and philosophically rich, with a dual-story structure that pays off in a bleak but memorable way.

Best for

  • Viewers who like moral dilemmas and existential questions
  • Fans of dark, dialogue-driven dramas with comic undertones
  • People interested in late-20th-century New York intellectual cinema
  • Audiences who enjoy ensemble acting and character studies

Skip if

  • You want a straightforward crime thriller
  • You dislike ethically ambiguous, talk-heavy films
  • You prefer warm, uplifting comedies
  • You’re sensitive to uncomfortable material involving infidelity and abuse-adjacent dynamics

Overview

Crimes and Misdemeanors is one of those films where the jokes land, the ideas sting, and the ending lingers long after the credits. It braids together two stories: one a grim moral descent, the other a more lightly comic but still melancholy look at artistic compromise and romantic disappointment. The result is a film that feels both breezy and severe, often in the same scene.

Worth noting

What makes it endure is the confidence of the writing and the way it treats self-justification as a human reflex. The film is less interested in solving its ethical questions than in watching people explain themselves into and out of guilt. That gives it a chilly, unsettling power, especially in the darker storyline.

Bottom line

It’s not a film for everyone, and some of its material is hard to sit with. But for viewers drawn to intelligent, adult dramas that mix wit with existential dread, it’s a major work: elegant, cynical, and surprisingly moving in its final note.

Top Letterboxd reviews

Mike D'Angelo (5★) · 686 likes

95/100 Such a perfect encapsulation of Allen's worldview that he might as well have just retired afterward—this was everything he had to say in one brilliantly conceived package. That its themes are stated so bluntly has never bothered me, because the characters are actively wrestling with those questions; the dialogue (Judah's especially) may be openly existential, but none of it rings false in this particular context. What's mysterious and miraculous to me, still, is the way that the two stories… more

Will Sloan (5★) · 537 likes

Arguably Allen's best, but man, those scenes with him and his niece are tough to watch.

mary (4.5★) · 446 likes

I'm so afraid of scenes where woody allen is near a kid

Adam Nayman · 239 likes

I surely don't have time- to myself, or otherwise- to be sullenly rewatching Woody Allen movies (without even a monetizable work hook!) and yet here I am. I think this'll be the last one, after HUSBANDS AND WIVES last week and ANNIE HALL about a month ago - a trio that, taken together, but each in different ways, probably constitute the best directing he ever did. (The official over/under on "Woody Allen: Ranked" featurettes online when he eventually dies, sooner… more I surely don't have time- to myself, or otherwise- to be sullenly rewatching Woody Allen movies (without even a monetizable work hook!) and yet here I am. I think this'll be the last one, after HUSBANDS AND WIVES last week and ANNIE HALL about a month ago - a trio that, taken together, but each in different ways, probably constitute the best directing he ever did. (The official over/under on "Woody Allen: Ranked" featurettes online when he eventually dies, sooner… more

megan (3★) · 228 likes

“A strange man - defecated on my sister.“

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Topics

dark comedy, existential drama, moral ambiguity, ensemble cast, New York, 1980s cinema, philosophical, character study, crime, adult drama

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