Manhattan (1979)

Movie · 1979 · Comedy, Drama, Romance · 1h 36m · R · English

Curator score: 7.9/10 (328.9K ratings)

Woody Allen's New Comedy Hit

Overview

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

Ratings

Director

Woody Allen

Production

United Artists, Jack Rollins & Charles H. Joffe Productions

Cast

Woody Allen, Diane Keaton, Michael Murphy, Mariel Hemingway, Meryl Streep, Anne Byrne Hoffman, Karen Ludwig, Michael O'Donoghue, Gary Weis, Kenny Vance, Tisa Farrow, Damion Sheller, Wallace Shawn, Helen Hanft, Bella Abzug, Victor Truro, Charles Levin, Karen Allen, David Rasche, Mark Linn-Baker

Where to watch

Amazon Prime Video, Amazon Prime Video with Ads

Curator Review

Verdict

A beautifully shot, sharply written New York relationship comedy-drama that pairs romantic yearning with moral messiness. Its reputation is complicated by the filmmaker’s off-screen history and the film’s own uncomfortable premise, but as a work of style, performance, and urban melancholy it remains a major late-70s American film.

Best for

  • Viewers who like elegant black-and-white cinematography
  • Fans of talky, neurotic romantic comedies with literary dialogue
  • People interested in New York as a romanticized character
  • Audiences comfortable with flawed, morally compromised protagonists

Skip if

  • You want a cleanly likable lead or uncomplicated romance
  • The subject matter around age and power dynamics is a dealbreaker
  • You prefer plot-driven films over conversation-heavy character studies
  • You cannot separate the film’s artistry from the controversies surrounding its creator

Overview

Manhattan is one of those films that can be admired and argued with in the same breath. It is gorgeously photographed, wryly written, and full of the kind of observational confidence that makes even small conversations feel like set pieces. The city is rendered as both fantasy and emotional weather: luminous, restless, and a little self-mythologizing.

Worth noting

At the same time, the film’s central relationships are intentionally, and sometimes uncomfortably, tangled. That tension is part of its design, but it also means the movie can feel less like a romance than a portrait of self-justifying desire. The performances, especially Diane Keaton’s, give the film its warmth and friction.

Bottom line

If you respond to sophisticated banter, romantic ambivalence, and a very specific late-70s New York sensibility, it’s an essential watch. If the premise itself is enough to shut the door, there’s no shortage of other urban relationship dramas that offer the style without the baggage.

Top Letterboxd reviews

maria (2★) · 2974 likes

no amount of beautiful b&w cinematography can save this self indulgent, pretentious and perverted dogshit

megan (2.5★) · 2128 likes

can you believe that woody allen actually directed and starred in his own biopic???

mary (5★) · 1393 likes

beautiful movie about bad people

Mike D'Angelo (5★) · 1335 likes

100/100 I don't understand how you make a film that looks like this and then go on to make 32 subsequent films (and counting) that look nothing like this. But then, neither do I understand how you achieve the perfect synthesis of your many gifts and somehow conclude that you totally whiffed, to the point where you beg the studio to destroy the negative. Each of the film's tricky balancing acts—between visual beauty and verbal dexterity, between wit and pathos,… more

Kall S (3★) · 1252 likes

As if any of those women would actually put up with Woody Allen's annoying face for five minutes.

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Topics

romantic drama, relationship comedy, black-and-white cinematography, New York City, neurotic humor, moral ambiguity, late 1970s, urban melancholy, literary dialogue, adult relationships

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