Exodus: Gods and Kings (2014)

Movie · 2014 · Adventure, Drama, Action · 2h 30m · PG-13 · English

Curator score: 0.8/10 (279.6K ratings)

When men ruled as gods, one was chosen to change the world.

Overview

The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.

Ratings

Director

Ridley Scott

Production

20th Century Fox, TSG Entertainment, Chernin Entertainment, Babieka Films, Volcano Films, Scott Free Productions

Cast

Christian Bale, Joel Edgerton, Ben Kingsley, John Turturro, Aaron Paul, Golshifteh Farahani, Ben Mendelsohn, Sigourney Weaver, Hiam Abbass, María Valverde, Isaac Andrews, Indira Varma, Ewen Bremner, Ghassan Massoud, Tara Fitzgerald, Dar Salim, Andrew Tarbet, Ken Bones, Hal Hewetson, Christopher Sciueref

Curator Review

Verdict

A visually polished but dramatically thin biblical epic that often feels bloodless, sluggish, and oddly detached from its own scale. It has a few strong images and moments of tension, but the film’s ponderous pacing, uneven performances, and controversial casting choices make it hard to recommend except to viewers specifically curious about Ridley Scott’s take on a familiar story.

Best for

  • Viewers interested in large-scale biblical epics and production design
  • Fans of Ridley Scott’s grand historical spectacle, even when the film misfires
  • People who want to compare a modern, darker retelling of a classic religious story

Skip if

  • You want an emotionally engaging or spiritually resonant adaptation
  • You’re looking for brisk action or consistently thrilling set pieces
  • Whitewashing and historical authenticity issues are a dealbreaker
  • You prefer biblical films with stronger character focus and momentum

Overview

Exodus: Gods and Kings has the look of an expensive prestige epic, with Ridley Scott leaning into dust, scale, and severity. The Egyptian court material has some life, and the movie occasionally delivers striking imagery, but it rarely builds real dramatic heat around Moses, Ramses, or the plagues that should be its engine.

Worth noting

The film’s biggest problem is that it feels strangely drained. What should be a sweeping conflict between faith, power, and liberation plays more like a series of dutiful plot points, with long stretches of exposition and a muted emotional register. Even the action tends to feel constrained rather than overwhelming.

Bottom line

There is craft here, but not enough vitality to overcome the film’s flatness and the distracting controversies around its casting. For viewers who like their epics grim and polished, it may be worth a look; for most audiences, there are stronger, more stirring biblical and historical spectacles elsewhere.

Top Letterboxd reviews

Josh Lewis (2★) · 569 likes

A dark and gritty reboot of the Old Testament.

Milez Das (2★) · 312 likes

When I hear the name Ridley Scott, I have a image of Blade Runner in my mind with the atmosphere of Alien and the epicness of Gladiator. But for the last few years Ridley Scott has lost his way in the imagery of movies. His recent movies are a visual treat but when we think of the content he is presenting it isn't what he was showing 10 years back. Exodus Gods and Kings is a story about Humans and… more

David Sims (2★) · 237 likes

it's clear what interests Ridley, or at least feels different--the first 30 mins at Egyptian court actually have some juice--but boy does this get sluggish as it yadda yaddas the Haggadah. for an actor I like, Bale has a lot of star vehicles that's just him with a beard grumbling at folks

matt lynch (2★) · 202 likes

technically only the second most boring movie called EXODUS. wants very much to be KINGDOM OF HEAVEN crossed with 2012 but is both insufficiently thoughtful and insufficiently bonkers. a whitewashed cast is the least of its problems.

Tylot Lantern (2★) · 193 likes

Ramses II has the most punchable face I’ve ever seen.

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Topics

biblical epic, historical drama, sword-and-sandal, epic scale, dark tone, religious conflict, imperial politics, visual spectacle, slow pacing, 2010s

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