Hulk (2003)

Movie · 2003 · Science Fiction, Adventure, Action · 2h 18m · PG-13 · English

Curator score: 0.9/10 (545.3K ratings)

What if everything you were forced to keep inside was suddenly set free?

Overview

Bruce Banner, a genetics researcher with a tragic past, suffers massive radiation exposure in his laboratory that causes him to transform into a raging green monster when he gets angry.

Ratings

Director

Ang Lee

Production

Marvel Enterprises, Universal Pictures, Good Machine, Valhalla Motion Pictures

Cast

Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas, Nick Nolte, Paul Kersey, Todd Tesen, Cara Buono, Kevin Rankin, Celia Weston, Mike Erwin, Lou Ferrigno, Stan Lee, Regi Davis, Craig Damon, Geoffrey Scott, Regina McKee Redwing, Daniel Dae Kim, Daniella Kuhn, Michael Kronenberg

Curator Review

Verdict

A messy but genuinely ambitious superhero film that treats Bruce Banner’s rage as trauma rather than just spectacle. It’s uneven and sometimes overreaches, but the formal experimentation, melancholy tone, and psychological focus make it stand out from most comic-book adaptations.

Best for

  • Viewers who like superhero movies with a serious, art-film sensibility
  • Fans of character studies about repression, anger, and family trauma
  • People curious about bold early-2000s studio experiments
  • Viewers who don’t mind uneven pacing if the ideas are strong

Skip if

  • You want a fast, joke-heavy Marvel-style blockbuster
  • You need polished CGI and clean action choreography
  • You prefer straightforward origin stories without melodrama
  • You’re looking for a consistently crowd-pleasing superhero film

Overview

Ang Lee’s Hulk is less interested in punchlines or set-piece escalation than in the psychology of Bruce Banner, and that makes it one of the strangest major studio superhero films of its era. It’s a movie about inherited damage, emotional suppression, and the terror of losing control, with a visual style that often feels closer to a comic panel experiment than a conventional action movie.

Worth noting

That ambition comes with real friction. The pacing can be sluggish, the tonal shifts can feel severe, and the CGI is a product of its time in ways that are impossible to ignore. But the film’s seriousness is also its identity: it wants the monster to be a symptom, not a gimmick, and it keeps returning to the idea that anger is tied to family history and buried pain.

Bottom line

If you’re open to a superhero movie that behaves like a wounded melodrama, there’s a lot to admire here. It may not satisfy viewers looking for clean thrills, but it remains a fascinating outlier: flawed, idiosyncratic, and unusually committed to the emotional cost of transformation.

Top Letterboxd reviews

sophie (1.5★) · 2648 likes

you wouldn't like me when i'm ang lee

SilentDawn (4.5★) · 1807 likes

84 The only Hulk adaptation that will ever matter to me. Neither a figure utilized for applause moments nor cheap sympathy - Ang Lee imbues each plastic, manipulated moment with seismic reverberations of trauma and generational dissonance. Almost constantly quiet, only to quickly lash out and settle within the dust. Kevin Feige would never produce something as idiosyncratic or as tempered again.

David Sims (4.5★) · 1402 likes

freud smash

Griffin Newman (5★) · 876 likes

Half way through the movie I twisted my ankle walking to the bathroom, and then fainted in the METROGRAPH lobby. Deep appreciation to Maya and the rest of the staff there for being remarkably attentive, supportive, and considerate. Anyway, first half of HULK still rips. Assume the second half played just as well. (on 35mm)

matt lynch (4★) · 785 likes

it's only right that this feels so frequently out of control.

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Topics

superhero, science fiction, action, psychological drama, melancholy, early 2000s, body horror, family trauma, comic-book adaptation, idiosyncratic

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