Movie · 2024 · Animation, Comedy, Drama · 1h 34m · R · English
Curator score: 9.1/10 (296.7K ratings)
Life can only be understood backwards, but we have to live it forwards.
Overview
Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.
Ratings
Curator score: 9.1/10
IMDb: 7.8/10
Letterboxd: 4.16/5
Rotten Tomatoes: 95%
Metacritic: 81
TMDB: 8.0/10
Director
Adam Elliot
Production
Arenamedia, MIFF Premiere Fund
Cast
Sarah Snook, Kodi Smit-McPhee, Jacki Weaver, Magda Szubanski, Dominique Pinon, Tony Armstrong, Paul Capsis, Eric Bana, Bernie Clifford, Davey Thompson, Charlotte Belsey, Mason Litsos, Nick Cave, Agnes Davison, Daniel Agdag, Saxon Wright, Selena Brennan, Adam Elliot, Smita Singh, Braiden Asciak
Where to watch
Hulu, AMC+, Philo, Sundance Now
Curator Review
Verdict
A darkly funny, deeply sad stop-motion coming-of-age story that turns grief, loneliness, and self-acceptance into something unexpectedly warm. Its handmade animation and blunt emotional honesty make it stand out, especially if you like bittersweet character studies with a macabre streak.
Best for
fans of adult animation with real emotional weight
viewers who like tragicomedy and offbeat coming-of-age stories
people drawn to handmade stop-motion craft
audiences open to melancholy films that still land on hope
Skip if
you want a light, breezy animated comedy
you dislike bleak humor or stories centered on trauma
you prefer fast-paced plots over character-driven introspection
stop-motion’s tactile style feels too uncanny or precious
Overview
Adam Elliot’s stop-motion feature is a bruised, compassionate portrait of a woman learning to live with herself after a lifetime of loss, shame, and awkward survival. It’s funny in a deadpan, often grotesque way, but the comedy never undercuts the ache at the center of it; instead, it makes the pain more human and more bearable.
Worth noting
The film’s handmade textures and cluttered visual world are essential to its emotional effect. Every object feels like it has been lived with, hoarded, or mourned, which suits a story about memory, damage, and the strange comfort of messiness. It’s the kind of animation that feels intimate rather than decorative.
Bottom line
What lingers most is how gently it argues that self-worth can arrive late, imperfectly, and without any grand transformation. It’s not an easy watch, but it is a rewarding one: sad, funny, and quietly restorative.
Top Letterboxd reviews
esen (4★) · 13596 likes
gay son snail daughter
Bentshy (4.5★) · 9804 likes
Two of my favorite quotes:
"Life only makes sense backwards. But we have to live it forwards."
"For the first time in my life I feel older than I look. And I look like a testicle."
I cried, I laughed, I stood and clapped till the curtains closed.
Eru Yome (5★) · 7125 likes
snailed it
JB (4.5★) · 5524 likes
“Childhood was like being drunk, everyone remembers what you did, except you”
Legit one of the most apt descriptions I’ve ever heard