Once Upon a Time in Mexico (2003)

Movie · 2003 · Action, Crime, Thriller, Western · 1h 42m · R · English

Curator score: 2.0/10 (178.2K ratings)

The time has come.

Overview

A corrupt CIA agent Sands hires hitman El Mariachi to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état of the President of Mexico.

Ratings

Director

Robert Rodriguez

Production

Columbia Pictures, Dimension Films, Troublemaker Studios

Cast

Antonio Banderas, Johnny Depp, Cheech Marin, Salma Hayek Pinault, Mickey Rourke, Willem Dafoe, Eva Mendes, Danny Trejo, Rubén Blades, Enrique Iglesias, Marco Leonardi, Troy Robinson, Gerardo Vigil, Pedro Armendáriz Jr., Julio Oscar Mechoso, Tito Larriva, Miguel Couturier, Tony Valdes, José Luis Avendaño, Rodolfo De Alexandre

Curator Review

Verdict

A loud, chaotic capper to Robert Rodriguez’s Mariachi trilogy: stylish, funny, and packed with swagger, but also overstuffed and uneven. If you want pulpy action, comic-book violence, and a starry, self-aware western-crime mashup, it delivers; if you need clean plotting or sustained tension, it can feel messy.

Best for

  • fans of hyper-stylized action and gunplay
  • viewers who like comic-book tone and dark humor
  • people interested in late-1990s/early-2000s genre mashups
  • audiences who enjoyed the earlier Mariachi films and want closure
  • fans of charismatic villainy and scene-stealing supporting turns

Skip if

  • you want a tightly plotted thriller
  • you dislike convoluted subplots and tonal whiplash
  • you prefer grounded action over exaggerated mayhem
  • the earlier films in the trilogy already felt too scrappy or chaotic
  • you are not in the mood for broad, self-aware humor

Overview

Once Upon a Time in Mexico is Rodriguez at his most maximalist: a borderland fever dream of assassins, corruption, and operatic gunfights. The movie has a lot of attitude, and it often feels like it is sprinting on charisma, music, and visual flair rather than on narrative clarity. That can be a strength when the film is firing on all cylinders, but it also leaves the plot feeling crowded and occasionally hard to follow.

Worth noting

Antonio Banderas remains an appealing center, even when the film pushes him into a more mythic, less intimate role. The supporting cast adds plenty of personality, with Johnny Depp especially leaning into the movie’s comic-book absurdity. Rodriguez clearly wants this to feel bigger, funnier, and more baroque than a standard action sequel, and in terms of energy and invention, it usually does.

Bottom line

The result is a movie that is easy to admire more than it is easy to love. Its best qualities are the same ones that make it messy: excess, speed, and a willingness to turn every scene into a punchline or a shootout. For viewers in the mood for loud, stylized pulp, it’s a worthwhile ride; for everyone else, it may feel like a very pretty pileup.

Top Letterboxd reviews

Ben (3.5★) · 330 likes

“Are you a Mexican or a MexiCAN’T” I feel like I’m the only person on here who likes this movie lmao

Jay Cheel (1.5★) · 271 likes

If there was ever a movie designed for 1.5 speed viewing...

🇵🇱 Steve G 🐝 (1.5★) · 193 likes

I wouldn't want to presume to speak for anyone else, but when I settle down to watch an action film pretty much the last thing I want to see is Enrique Iglesias. Enrique fucking Iglesias. Furthermore, an Enrique Iglesias who looks as though he has never even so much as seen a gun let alone fired one. Some hero you are. Robert Rodriguez harped on about how he wanted Once Upon A Time In Mexico to be his equivalent of… more

Ivan (3★) · 179 likes

MEXICAN WILLEM DAFOE MEXICAN WILLEM DAFOE MEXICAN WILLEM DAFOE MEXICAN WILLEM DAFOE

Rafael "Mister Movie" Jovine (3.5★) · 168 likes

Action! - Three Auteurs: El Campamento De Robert Rodriguez There is the possibility that this film will either be a step backward or a step forward based on what you liked in Desperado. Personally, I enjoyed how the story was balanced between Hayek and Banderas and the action. However, the film is muddied this time around in a series of subplots that make it seem very bloated and convoluted, even though in the same fashion, we have a greater number… more

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Topics

action thriller, neo-western, crime caper, gunfights, dark comedy, borderland, ensemble cast, stylized violence, early 2000s, pulp

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