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Spring, Summer, Fall, Winter... and Spring

A meditative, visually composed spiritual fable about cycles of innocence, desire, guilt, and redemption. Its quiet pacing and symbolic structure won’t suit everyone, but for viewers open to contemplative cinema it’s deeply rewarding.

91% (156,692)

Spring, Summer, Fall, Winter... and Spring

Where to watch: Buy

Movie · Drama

2003 · 1h 43m · ★ 91% (156.7K)

What you like, others will also like.

Director: Kim Ki-duk

Starring: Oh Young-soo, Kim Ki-duk, Kim Young-min

Overview

An isolated lake, where an old monk lives in a small floating temple. The monk has a young boy living with him, learning to become a monk. We watch as seasons and years pass by.

Director

Kim Ki-duk

Production

LJ Film, Korea Pictures, Cineclick Asia, Cinesoul, Mirae Asset Capital, Muhan Investment

Cast

Oh Young-soo, Kim Ki-duk, Kim Young-min, Seo Jae-kyeong, Kim Jong-ho, Ha Yeo-jin, Kim Jung-young, Ji Dae-han, Choe Min, Park Ji-a, Song Min-young

Curator Review

Verdict

A meditative, visually composed spiritual fable about cycles of innocence, desire, guilt, and redemption. Its quiet pacing and symbolic structure won’t suit everyone, but for viewers open to contemplative cinema it’s deeply rewarding.

Best for

  • fans of slow cinema and visual storytelling
  • viewers interested in Buddhist or spiritual themes
  • people who like nature-driven, allegorical dramas
  • audiences drawn to quiet, reflective films about moral growth

Skip if

  • you want a plot-heavy or fast-moving drama
  • you dislike symbolism and repetition
  • you’re sensitive to animal cruelty or harsh moral imagery
  • you prefer emotionally direct, dialogue-driven storytelling

Overview

Set on a secluded floating temple, this film unfolds as a series of seasons in a human life: childhood, desire, guilt, middle age, and old age. Its power comes from restraint. Rather than explaining its ideas, it lets landscape, ritual, and gesture carry the meaning, turning the lake and mountains into a kind of spiritual clock.

Worth noting

The film is at its best when it treats moral development as something cyclical rather than tidy. Each chapter echoes the last, but with deeper consequences, and the visual simplicity gives the story a fable-like clarity. It’s a beautiful example of cinema using silence and composition as meaning, not decoration.

Bottom line

That said, its symbolism is blunt at times, and some viewers may find the emotional and ethical framework dated or abrasive. It’s not a universally “easy” watch, but it’s a memorable one: austere, haunting, and quietly transcendent for the right audience.

Top Letterboxd reviews

DirkH (5★) · 909 likes

Art = Contemplation = Ideas = Thought = Creation = Energy = Vitality = Life. Art = Life An equation rarely solved better than in this film.

Larry (5★) · 742 likes

Didn't you know beforehand how the world of men is? Sometimes we have to let go of the things we like. What you like, others will also like. Deep in the foothills of rural South Korea, off a winding dirt road exists a path. You might miss it if you werent looking. Walking this path takes you down into a vast lush valley where a small lake rests encircled by steep jungle and rocky cliffs. Silently bobbing in the middle… more

Ethan Colburn (4★) · 596 likes

Can someone please untie this rock from my back? It's getting pretty heavy.

nick atkinson (0.5★) · 553 likes

I know that often you can separate the ‘art’ (if you can call it that) from the artist, but there is always a line to be crossed where the two become inseparable. That line will be different for everyone, but I think I can safely say that a rapist making movies about rape while raping the actresses involved should spectacularly pass the line for most people. Maybe it would be easier to separate Kim Ki-duk from his films if they

Cormac 👑 (5★) · 438 likes

Spring. A baby is born. Life. He lives in a floating monastery in the middle of a lake. Amongst trees of centuries old and mountain-tops, buried deep in leafy-green foliage. Nature. The young boy lives with an older man. They’re monks. Buddhist monks. Faith. The boy ties a stone to a frog. To a fish. To a snake. He laughs, watching on with glee as they struggle with their new-found burdens. The elder monk returns the favour, tying a boulder

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Themes

spiritual awakening, cycle of life, karma and consequence, temptation and desire, redemption, monastic life, nature as metaphor, innocence lost

Topics

slow cinema, Buddhist philosophy, meditative, allegorical drama, nature imagery, spiritual journey, coming of age, art-house, minimalist storytelling, existential

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