The story of American showman P.T. Barnum, founder of the circus that became the famous traveling Ringling Bros. and Barnum & Bailey Circus.
Ratings
Curator score: 3.9/10
IMDb: 7.5/10
Letterboxd: 3.53/5
Rotten Tomatoes: 56%
Metacritic: 48
TMDB: 7.9/10
Director
Michael Gracey
Production
Chernin Entertainment, 20th Century Fox, TSG Entertainment
Cast
Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zendaya, Keala Settle, Yahya Abdul-Mateen II, Natasha Liu Bordizzo, Paul Sparks, Sam Humphrey, Austyn Johnson, Cameron Seely, Eric Anderson, Ellis Rubin, Skylar Dunn, Daniel Everidge, Radu Spinghel, Yusaku Komori, Danial Son, Will Swenson
Where to watch
Max
Curator Review
Verdict
A glossy, emotionally manipulative musical with undeniable showmanship, catchy songs, and big crowd-pleasing energy, but also a thin script and a heavily sanitized take on P.T. Barnum’s life. It works best as a feel-good spectacle rather than as a serious biographical drama.
Best for
viewers who want upbeat, anthemic musical numbers
fans of polished, high-energy crowd-pleasers
people willing to overlook historical accuracy for entertainment
audiences who like inspirational underdog stories
Skip if
you need a rigorous or truthful biopic
you dislike sentimental, overproduced musicals
you want complex character writing or social critique
you’re allergic to glossy spectacle covering narrative gaps
Overview
The Greatest Showman is the kind of movie that knows exactly how to sell a feeling, even when the story underneath is shaky. It turns P.T. Barnum’s rise into a neon-lit pageant of ambition, belonging, and self-invention, with songs designed to land like motivational speeches set to a beat. The result is often irresistible in the moment, even if the film’s historical and dramatic logic is doing very little heavy lifting.
Worth noting
What keeps it afloat is pure performance energy. The staging is bright, kinetic, and engineered for maximum uplift, and the soundtrack is built around big hooks that are easy to dismiss and harder to forget. It has a strong “turn your brain off and enjoy the ride” appeal, especially if you respond to sincerity over irony.
Bottom line
At the same time, the movie smooths over the uglier parts of Barnum’s legacy and leans hard on sentiment to avoid deeper conflict. If you want a sharper, more honest portrait of show business, this will likely feel frustrating. If you want a slick, emotionally charged musical that aims for goosebumps, it delivers enough to explain why so many people ended up liking it despite themselves.
Top Letterboxd reviews
David Sims (3★) · 9062 likes
The worst movie I ever liked
mia lee vicino (1.5★) · 7686 likes
the scene in the beginning where young hugh jackman gets away with stealing bread proves that this is an alternate timeline where jean valjean starts a circus instead of going to prison for 19 years, finding god, and becoming the mayor of a little french town
gaby (3★) · 7413 likes
me: uh yeah so the film has a pretty weak script and uses extravagant musical numbers to cover up that the plot is pretty incoherent and also there’s at least 16 technical issues which is 16 too many for my pretentious ass
also me: LOOK OUT 👀👀 CAUSE HERE I COME 😩✨ AND I’M MARCHING 🏃♂️🏃♂️🏃♂️ TO THE BEAT I DRUM 😜🥁 I’M NOT SCARED 😎😤🚫 TO BE SEEN 😱👁 I MAKE NO APOLOGIES 😘👊🏼 THIS IS ME 😂💯
˗ˏˋ dylan ˊˎ˗ (3.5★) · 6359 likes
i, too, would fall in love with zendaya at first glance
Shares the glossy modern-musical appeal, emotional uplift, and polished choreography, while offering a more bittersweet take on dreams and performance.