Titus (1999)

Movie · 1999 · Drama, History · 2h 42m · R · English

Curator score: 4.9/10 (37K ratings)

The fate of an empire. The descent of man.

Overview

Titus Andronicus returns from the wars and sees his sons and daughters taken from him, one by one. Shakespeare's goriest and earliest tragedy.

Ratings

Director

Julie Taymor

Production

Clear Blue Sky Productions, Overseas FilmGroup, Urania Pictures, NDF International, Titus Productions, Fox Searchlight Pictures

Cast

Anthony Hopkins, Jessica Lange, Jonathan Rhys Meyers, Matthew Rhys, Harry Lennix, Angus Macfadyen, Colm Feore, Alan Cumming, Laura Fraser, Raz Degan, Kenny Doughty, James Frain, Blake Ritson, Colin Wells, Osheen Jones, Dario D'Ambrosi, Ettore Geri, Constantine Gregory, Geraldine McEwan, Tresy Taddei

Curator Review

Verdict

A wildly stylized, blood-soaked Shakespeare adaptation that swings for the fences and mostly lands through sheer audacity. It’s not subtle or easy, but its visual invention, ferocious performances, and operatic excess make it a memorable watch for viewers who like their classics remixed into something feverish and modern.

Best for

  • Shakespeare fans open to radical reinterpretation
  • Viewers who enjoy baroque, theatrical filmmaking
  • Fans of heightened violence, revenge stories, and operatic tone
  • People curious about late-90s art-house experimentation

Skip if

  • You want a straightforward period drama
  • Extreme violence and grotesque imagery put you off
  • You prefer restrained, naturalistic performances
  • You need a clean, easy-to-follow adaptation

Overview

Julie Taymor’s Titus is less a museum-piece Shakespeare adaptation than a full-body assault of image, sound, and performance. It takes one of the playwright’s most savage tragedies and turns it into a delirious collision of ancient Rome, fascist pageantry, and late-20th-century pop-art excess. The result is unruly, but that unruliness is the point: this is a film that wants to overwhelm you.

Worth noting

Anthony Hopkins anchors the chaos with a Titus that is both imperious and broken, while the production design and costumes keep shifting the film between historical spectacle and surreal nightmare. The violence is notorious, but the movie’s real shock is its confidence in going bigger, stranger, and more theatrical than almost any mainstream Shakespeare film of its era.

Bottom line

It won’t be for everyone, especially viewers who want tonal consistency or classical restraint. But for those who respond to bold formalism, camp grandeur, and adaptations that treat Shakespeare as living, dangerous material, Titus is a singular experience and one of the most distinctive literary films of the 1990s.

Top Letterboxd reviews

Silent J (5★) · 873 likes

I'll be damned if "Villain, I have done thy mother." is not the greatest line that Shakespeare ever wrote. Who knew Shakespeare cracked Yo Momma jokes back in the day?

Ben Peterson (4.5★) · 248 likes

Me: I know this Shakes adaptation came out in ’99, but it’s a period piece. It couldn’t POSSIBLY be indicative of the year 1999. The Movie: cut to a bleached blonde, rave-leather overalls wearing Matthew Rhys listening to industrial techno while playing Road Rash in his man-dungeon. Me: ok you win.

Rafael "Mister Movie" Jovine (4★) · 218 likes

This film can be accused of many things, but lacking ambition it will never be one of them. As a result of her Spiderman play disaster, Julie Taymor has become synonymous with creative genius, yet a lack of control, which, when well executed, can result in an opulent and wonderfully epic version of one of Shakespeare's least discussed plays. In contrast, when the director overdoes it, the result is a catastrophe that borders on incomprehensible. In this case, both sides… more This film can be accused of many things, but lacking ambition it will never be one of them. As a result of her Spiderman play disaster, Julie Taymor has become synonymous with creative genius, yet a lack of control, which, when well executed, can result in an opulent and wonderfully epic version of one of Shakespeare's least discussed plays. In contrast, when the director overdoes it, the result is a catastrophe that borders on incomprehensible. In this case, both sides… more

Wood (4★) · 113 likes

I love that Shakespeare shit, but I really love that wacky Shakespeare shit.

Kyle Turner (4.5★) · 100 likes

Julie Taymor has what Baz Lurhmann wants

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Topics

Shakespeare adaptation, revenge tragedy, gothic excess, stylized violence, operatic, surreal visuals, late 1990s, theatrical, historical drama, art-house

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