To Die For (1995)

Movie · 1995 · Drama, Comedy, Crime · 1h 46m · R · English

Curator score: 7.0/10 (171.2K ratings)

All she wanted was a little attention.

Overview

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

Ratings

Director

Gus Van Sant

Production

Columbia Pictures, The Rank Organisation, Laura Ziskin Productions

Cast

Nicole Kidman, Matt Dillon, Joaquin Phoenix, Casey Affleck, Illeana Douglas, Alison Folland, Dan Hedaya, Wayne Knight, Kurtwood Smith, Holland Taylor, Susan Traylor, Maria Tucci, Tim Hopper, Michael Rispoli, Buck Henry, Gerry Quigley, Tom Forrester, Alan Edward Lewis, Nadine MacKinnon, Conrad Coates

Where to watch

Netflix, Philo, Netflix Standard with Ads

Curator Review

Verdict

A sharp, darkly funny satire of ambition, media vanity, and self-mythologizing, powered by a fearless Nicole Kidman performance. It’s both entertaining and nasty in the best way, with a tone that keeps shifting between deadpan comedy and true-crime dread.

Best for

  • Fans of dark comedies with a vicious edge
  • Viewers interested in media satire and ambition stories
  • People who like unreliable, manipulative antiheroes
  • Audiences drawn to 1990s indie crime dramas

Skip if

  • You want a straightforward thriller with clean moral lines
  • You dislike abrasive, emotionally cold protagonists
  • You prefer broad comedy over irony and discomfort
  • You’re looking for a fast-paced crime plot

Overview

Gus Van Sant turns a tabloid murder story into something sly, chilly, and strangely buoyant. The film is less interested in the mechanics of the crime than in the machinery of image-making: Suzanne Stone is a person who treats fame like a religion and other people like disposable props.

Worth noting

Nicole Kidman gives the movie its voltage, playing Suzanne as both absurdly funny and genuinely frightening. The performance is all surface control and hidden panic, which makes the satire sting harder; the film keeps asking how much of American ambition is performance, and how much performance becomes identity.

Bottom line

What lingers is the movie’s tonal audacity. It’s a crime story, a media joke, and a character study that never fully lets you settle into one mode. That instability is part of the pleasure: it’s slick, mean, and very aware of how seductive self-invention can be.

Top Letterboxd reviews

vi (3.5★) · 3089 likes

not to be gay but i want nicole kidman to sit on my face

aaron (4.5★) · 2718 likes

*lady gaga voice* I don’t believe in the glorification of murder. I do believe in the empowerment of women.

nonig (4.5★) · 2544 likes

I think that,maybe,Nicole Kidman should be in every movie

#1 gizmo fan (3.5★) · 1923 likes

"I think if you wanted a babysitter, you should marry Mary Poppins." one day, I will scam men just as Suzanne Stone taught me.

sarah squirm (4★) · 1794 likes

just when i thought a single movie couldn’t possibly get any hornier… there’s a CRONENBERG CAMEO?!? i dieeeeeeeeeee

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Topics

dark comedy, crime satire, media obsession, ambition, female antihero, 1990s indie, tabloid culture, manipulation, black humor, character study

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